ARMdevices.net

Kordz walks through what “quality” means for HDMI in a pro-AV context: not marketing claims, but repeatable signal integrity and mechanical consistency across every cable that leaves the line. The demo focuses on construction details that matter to integrators—die-cast connector bodies to reduce flex, controlled tolerances, and retention strength so a plug stays seated under real-world strain. https://www.kordz.com/

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HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

A standout example is their Active Optical HDMI (AOC) approach for longer runs, where fibre handles the high-speed lanes while the ends are built for installation abuse (compact connector shells, robust strain relief, and high pull-force ratings). In practice, that’s aimed at keeping 48Gbps-class links stable for 4K/120, 8K, HDR, VRR and eARC scenarios without relying on “it usually works” luck in the field, even when routing is tight or load is heavy on the cable path to make it fit.

They also break down their HDMI ranges by job: a mainstream “daily driver” series, an Ultra High Speed certified performance tier, and a rack-optimised option with slimmer headshells, tighter bend handling, and extra shielding to reduce headaches in dense I/O. The rack discussion is refreshingly practical—how connector size, cable diameter, and shielding stack-up affect access, service loops, and stress points behind a matrix, extender, or switch in a crowded rack.

Beyond HDMI, the booth shifts to structured cabling where small reliability failures become expensive truck rolls. Kordz highlights slim 28AWG Cat6/Cat6A patch cords, snap-proof latch designs intended to survive thousands of bends, and per-cable performance reporting (serialised Cat6A with downloadable test results) to make verification and documentation easier during commissioning at ISE 2026 Barcelona, especially in high-density patching.

There’s also an integrator-friendly “tamper-resistant” idea—simple mechanical locking on a connector to discourage casual unplugging—and a timed termination challenge that frames tooling, workflow, and repeatability as the real differentiators. The interview closes with a forward-looking note: Kordz says it’s already prototyping for HDMI 2.2 and plans to move quickly once certification programs are available, with the same emphasis on predictable installs rather than cables being the weak link in a digital chain today.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=LZ4W-VTSU4E

Comeen presents a workplace experience platform that ties together meeting room booking, desk booking, visitor management, and enterprise digital signage in one admin layer. The core idea is to make office resources discoverable in real time, so employees stop “hunting” for space and facilities teams get clearer utilization signals. https://comeen.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

A highlight in the demo is an interactive, zoomable 3D floor map that shows live desk and room availability across multiple floors, with filters for time, capacity, and room names. The UX is built for “book on the go”: pick a slot, confirm, and navigate to the right room with context like seating capacity and identity, which matters once room naming gets opaque at scale.

Comeen also leans into chat-driven workflows: inside Google Chat, users can book rooms with natural-language prompts, then confirm or release bookings from the conversation stream. That release flow targets “ghost meetings” (rooms booked but unused): by nudging users ahead of time and freeing space early, the platform claims materially higher rebooking rates versus late releases, turning wasted square metres into usable inventory.

Filmed at ISE 2026 Barcelona, the booth setup shows how the platform connects to common room peripherals like Neat Pad and Logitech Tap Scheduler panels for quick check-in and ad-hoc booking at the door. Customer references mentioned include large enterprises such as Veolia and Airbus, reflecting the typical pain point: too many rooms, too little visibility, and not enough data to optimize portfolio decisions.

On the comms side, Comeen’s digital signage runs on Chrome-powered players and is designed for managing fleets of screens across many sites. The content model is playlist-based and data-friendly, with support for publishing BI dashboards (e.g., Power BI and Looker Studio) so operational KPIs, targets, and location-specific messaging can be placed where teams will actually see it.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=6YKAXc5d0Wc

ViewSonic walks through its all-in-one Direct View LED approach, centered on a 163-inch 4K wall at 0.9 mm pixel pitch using MIP packaging, targeting corporate, education, and high-end presentation spaces. The key message is efficiency: sustaining around 600 nits for indoor viewing while keeping thermal behavior close to ambient, tying brightness to power architecture rather than brute-force drive current. https://www.viewsonic.com/global/products/direct-view-led/LDP163-091C

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

A useful way to frame the lineup is by LED packaging and surface protection: COB (chip-on-board) for embedded durability and tight pixel pitch, MIP (micro LED in package) positioned as the path toward finer pitches, and GOB (glue-on-board) as a protective layer derived from SMD workflows for public or high-traffic areas. The discussion connects these choices to contrast performance, perceived black level, impact resistance, and long-term service behavior rather than just raw resolution.

On the install side, the demo focuses on slim wall mounting and fast service access, with light cabinets that hang via a hook system to minimize construction depth. A notable engineering detail is swapping multiple daisy-chained RJ45 links for an LVDS FFC interconnect, reducing connector count, simplifying cable management, and shrinking the mainboard footprint, which can improve reliability when scaling to many cabinets.

The video also shows how content gets to the wall: an external source such as a desktop via HDMI can be distributed through AV-over-IP endpoints, then handed to an LED controller that maps the canvas and pushes the right data to each cabinet. Filmed at ISE 2026 Barcelona, it’s a practical look at how “all-in-one” DVLED is increasingly about integration boundaries: where decoding, scaling, synchronization, and tile addressing live, and how quickly a system can be deployed on site.

Finally, ViewSonic highlights a foldable mobile LED format (138-inch class) designed for elevator-friendly transport, rapid setup, and repeatable alignment via a rigid hinge to avoid seam or pixel-row drift after transit. With built-in playback (Android-class functionality) and integrated audio, it’s aimed at pop-up events, internal comms, and temporary venues where you want LED impact without a permanent rig.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=E7Z5zrYU0bM

Petanux shows how computer vision can turn ordinary retail cameras into edge-AI sensors for self-checkout, shelf analytics, and shrink control, integrating via API into existing POS and store software so upgrades don’t require a full lane refresh. The core idea is in-camera inference: product recognition on the scale plate, barcode-free item detection, and automated prompts only when confidence drops, with a stated target around 95%+ depending on training. https://petanux.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

A key technical theme is keeping processing local for privacy and latency: models are quantized to fit the available compute in the camera (ARM SoC plus GPU/NPU-class acceleration, referenced as up to ~26 TOPS in this demo) so images don’t need to stream to Azure-style cloud inference. That on-device pipeline supports GDPR-minded deployment patterns, reduces WAN dependencies, and makes it easier to run in stores with constrained connectivity or strict data-handling rules today.

Beyond checkout, the demo expands to multi-camera re-identification and zone-to-zone tracking, where a local “broker” service coordinates multiple networked cameras (including light-rail style placements) to follow a shopper journey from departments to the cashier. This enables behavior-aware shrink workflows: instead of confronting mid-aisle, the system can flag suspect actions and validate at checkout, while also producing trajectory heatmaps and dwell-time metrics for merchandising decisions here.

Filmed at ISE 2026 in Barcelona, the conversation links this edge-vision stack with faytech camera hardware and the broader trend toward distributed perception across the store: ceiling, gondola ends, bakery zones, and kiosks. It also sketches opt-in personalization paths—age/gender estimation for signage, habit inference with app consent, and context-driven offers—while emphasizing that compliance hinges on minimization, local processing, and avoiding long-term customer data retention today.

The practical business case is labor and loss: automated out-of-stock detection replaces manual shelf walks, shrink reduction lowers inventory leakage, and analytics help fix “high interest, low purchase” areas by tuning price, placement, or assortment. If edge compute keeps improving, the same deployment can scale from single-lane product detection to store-wide agent-like guidance without turning every store into a cloud video pipeline today.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=EqWBOLnOXz8

At iiyama’s booth, the focus is a unified display stack: large-format LED, LCD signage, and touch panels that all tie back to one deployment workflow. The all-in-one mobile LED concept adds optional standing casters, Android 13 on an octa-core SoC, and enough onboard compute to run native apps or third-party signage players without an external media box. https://iiyama.com/gl_en/iisignage2

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

On the signage side, the conversation keeps circling back to iiSignage²: a cloud CMS for pushing PowerPoint, video, 4K stills, and web content to single screens or synchronized groups with scheduling and layout control. That cloud layer becomes the glue across very different form factors, from high-brightness shop-window panels to ultra-wide meeting room layouts in one set.

A standout example is the 92-inch 21:9 “stretch” format aimed at Teams Front Row layouts but increasingly used in retail, where portrait mounting turns the screen into a tall visual anchor. The same stand also previews a 115-inch 4K miniLED LCD with local dimming for higher contrast and tighter backlight control than edge-lit signage. The video is filmed at ISE 2026 Barcelona, which explains why corporate, education, and retail scenarios keep surfacing.

For integrators, the lineup is intentionally modular: non-Android “plug-and-play” panels for people who bring their own player, Android-enabled lines to start a managed signage fleet, and higher-spec series adding USB-C pass-through for single-cable meeting rooms. There’s also SDM support for custom compute, plus specialist “gallery” frames where the bezel can be removed so the display becomes part of an exhibit, not just a black rectangle.

At the small end, iiyama highlights Power-over-Ethernet touch displays that can run on one Ethernet cable, plus variants with an LED status ring and APIs for room-booking or wayfinding UI. For creators and pros, the ProGraphic desktop monitor angle adds 4K resolution, up to 95 W USB-C power delivery, and wide-gamut DCI-P3 coverage for edit and design workflows, while the roadmap stretches toward a 162-inch LED size tier.

iiyama mobile LED + iiSignage² CMS: Android 13, PoE touch, 92in 21:9, 115in miniLED
iiyama display range tour: 162in all-in-one LED, 4000 nit signage, USB-C meeting room flow
iiyama iiSignage² cloud signage: 92in 5K 21:9, PoE room panels, 4K ProGraphic monitor

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=Bko10DaZW_Q

Panasonic is showing a 55-inch direct-view LED (dvLED) building block aimed at making video-wall projects feel more like installing a regular display: one tile is a complete 55″ module, and you scale the canvas by repeating modules into any aspect ratio or custom shape. The core idea is controller-less operation via a simple HDMI feed, so smaller installs can avoid the usual separate LED processor and still get a clean, unified surface. https://eu.connect.panasonic.com/es/es/pantallas-profesionales/tl-55lv12a

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

The panel discussed here is the TL-55LV12A, using Flip-chip COB packaging at 1.26 mm pixel pitch, specified at 800 cd/m² brightness and a 10,000:1 contrast ratio. Native resolution per 55″ tile is 960 x 540, while accepting up to 3840 x 2160 input so a single 4K source can map neatly across multiple cabinets as the wall grows. Because each unit is bezel-less by design, seams become more about mechanical alignment than visible frames, which matters when you’re trying to replace aging LCD video walls without the “grid” look in close view.

Installation is positioned as the differentiator: VESA compatibility and support for common mounting ecosystems (including EasyVizer-style mounting approaches) are meant to speed up leveling, service access, and module swaps. For integrators, this “big tile” approach reduces the complexity gap between flat-panel video walls and fine-pitch LED, especially in corporate lobbies, retail, museums, broadcast sets, and simulation/XR staging where uniformity and viewing angle are critical.

This interview was filmed at ISE 2026 in Barcelona, and it captures a shift in pro AV toward dvLED that behaves like a standard display input path: HDMI in, quick mechanical install, then scale by adding tiles. The most interesting technical angle is how a relatively fine 1.26 mm COB pitch is being packaged into a 55″ unit to simplify logistics, cabling, and commissioning while still landing in the brightness/contrast envelope expected for signage and premium presentation.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=WPYzSAur-zk

Charmex International walks through a pragmatic LED portfolio aimed at integrators who need predictable build quality, repeatable calibration, and on-site maintainability, not “consumer TV” compromises. The focus is modular cabinet ecosystems that cover transparent retail façades, rental staging, and architectural LED surfaces, with attention to serviceability and logistics. https://charmex.net/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

On the transparency side, the video highlights a 3.9 mm class transparent LED (“holographic” in the booth language) designed for shop windows: you can run animated content outward while keeping sightlines into the store, which is a common requirement for luxury retail and hotel frontage. Brightness figures mentioned in the booth are in the multi-kcd/m² range (around 3000 nits), aligning with daylight-facing digital signage where ambient reflections dominate.

For rental and broadcast, Charmex shows a 2.5 mm pitch family with 4-in-1 miniLED packaging, supporting flat and curved builds for stages, events, and TV sets. A nice detail is the live maintenance demo: swapping individual LEDs/modules on the corner, reinforcing that their proposition includes in-house technical service and repair workflows that keep panels working across multiple deployment cycles.

Midway through, filmed at ISE 2026 in Barcelona, they also show a “T-SKIN / T-FIX SKIN” style concept: LED surfaces with textured finishes that visually mimic wood or stone, meant for hospitality corridors, restaurants, and lobbies where you want ambient info layers (weather, messaging, wayfinding) without the “big black screen” aesthetic. This is essentially architectural LED cladding, where viewing distance, glare control, and perceived material quality matter as much as pixel pitch.

Finally, there’s a tighter cabinet format referenced as “T-RENT EXPO” around 496×496 mm for booth-standard geometries, plus a very modular 1.9 mm class approach using slim 250×50 elements that can form 90° corners and unusual aspect ratios. Overall, the story is about covering the real-world edge cases—fast install/derig, flycase mobility, corner geometry, and field repair—so integrators in Spain, Portugal, and wider Europe can deliver consistent LED deployments.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=el8SXJmy-0Y

Clevertouch’s demo ties together interactive collaboration screens and digital signage into one managed stack, starting with a 55-inch touch totem designed for indoor wayfinding and interactive posters. The unit runs as a standalone player with multi-zone layouts (video, RSS, web content) and a quoted 700 cd/m² brightness for high-visibility lobbies, campuses, and retail entrances. https://www.clevertouch.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

On the meeting-room side, the Clevertouch Edge is positioned as a thin-bezel 4K collaboration display with a top-mounted Sony 4K camera and in-glass capacitive touch using FlatFrog InGlass technology, which changes the feel of pen input because sensing is embedded through the glass rather than relying on a framed touch layer. The engraved side hotkeys are a practical UX detail: one-tap jumps to Teams, camera, or whiteboard without hunting through menus, which matters in shared-room use cases here.

The Pro Series 3 shown in this video sits as the “entry” interactive panel but still targets modern IT requirements: Google EDLA for Play Store access, app-based workflows (Microsoft and Google ecosystems), and local expandability via an SD slot for up to 1 TB storage. In this filming at ISE 2026 Barcelona, the presenter also calls out an RK3522-based platform and Android 16, while current Pro Series 3 marketing commonly emphasizes 4K UHD, Wi-Fi 6E, and integrated room-filling audio for a clean install without extra peripherals in a standard setup.

What makes the lineup more interesting is the CleverLive layer: cloud-managed digital signage and content routing that spans totems, non-touch displays, and even smaller endpoints. The QR-trigger flow turns passive signage into a two-step interaction—scan to open a mobile UI of “actions,” tap to switch the big screen content, then walk away and receive the chosen info on your phone—useful for queues, product selectors, or form handoff without adding a kiosk PC into the workflow.

Rounding out the ecosystem is CleverLive Rooms 2-style room booking hardware that syncs with Microsoft 365/Exchange and Google Calendar, shows occupancy with color status, and captures usage analytics. Because the room panel can fall back to signage when idle, and because Clevertouch also offers MDM-style remote management plus cross-device sharing, the pitch is less about one screen and more about standardizing fleet control, app access, and signage logic across mixed spaces using consistent policy and data.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=_kVZRQP0BbE

LANG AG walks through how a modern ProAV booth is built around modular geometry, not just flat pixels: their AURA LED platform is shown as a continuous structure made from straight, flex/curved, and corner/cube cabinets, driven by real-time tracking so content reacts to movement rather than looping passively. The demo leans into MiP (MiniLED-in-Package) fundamentals—tight pixel pitch around 1.5–1.56 mm, high nit output in the ~1,000–1,600 range depending on configuration, and the kind of robust cabinet ecosystem you need when you want edges, radii, and 3D transitions to stay visually coherent. https://www.lang-ag.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

A big part of the story is spatial design: instead of hiding the “engineering,” the installation celebrates it—corners that don’t break lines, curved segments that keep pitch continuity, and a cube build that puts content on multiple faces (front/side/top) to test viewing angles and perceived HDR on a busy walkway. The Gaudí-inspired mosaics and Barcelona skyline content are a smart stress test for LED processing: lots of micro-contrast, saturated color patches, and repeating patterns that quickly reveal calibration drift, gamma issues, or moiré artifacts.

Projection mapping is the other half of the booth language. Rebecca points out a compact projection room using three Fujifilm FP-ZUH6000 ultra short throw projectors where lens rotation and tight throw help when space is constrained and you still want precise alignment. Nearby, a Panasonic PT-RQ45K setup is used to show bright mapping with practical serviceability (quick access front design) while keeping a rigid frame for repeatable rigging and transport.

This segment is filmed at ISE 2026 in Barcelona, and it captures how LANG positions itself as a B2B enabler for rental and integrator workflows: they supply the building blocks (cabinets, optics, mounts, processing paths), while partners translate that into client-facing experiences. The result is a booth that reads like an engineering lab for immersive surfaces—interactive LED, projection, mixed front/rear-screen concepts, and the operational detail that matters when you’re assembling and tearing down frequently.

It finishes with a quick look at drone show tech: LANG highlights the Damoda V4 as a newer “workhorse” platform, plus show-control software that previews logos and formations before a live flight. The practical angle is logistics—repeatable charging/docking, scalable fleet management, and timeline-friendly workflows for show designers—so drone content becomes another programmable display layer, just in the sky rather than on a wall.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=BtbZ0Emk98Y

Delta’s Digital Projection team walks through why very high-resolution projection is increasingly about system architecture, not just a brighter box. The centerpiece is the Satellite MLS (Modular Laser System): an 8K-capable projection head that can be decoupled from the laser light engine and its cooling, with light delivered over a fiber-optic link that can run up to about 100 m. That split lets integrators keep the optical engine near the audience while pushing heat, fan noise, and service access into a separate technical room. https://www.digitalprojection.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

The demo highlights a current 8K workflow that still relies on splitting the image into four quadrants over multiple DisplayPort feeds, a practical approach when pushing pixel throughput at the edge of today’s transport limits. The next step discussed is moving to a single-cable pipeline using HDMI 2.1, simplifying routing, synchronization, and troubleshooting in control racks and touring-style installs. The underlying projection platform is DLP, with the roadmap pointing toward updated Texas Instruments DMD silicon for cleaner 8K handling and more straightforward signal ingest over time.

On the 4K side, the E-Vision Laser 22000i 4K+ is positioned as a compact, high-brightness single-chip DLP option where pixel density matters for edge blending and wide canvases. “4K+” is framed as a practical advantage in multi-projector stacks because extra pixels translate into more overlap flexibility and fewer compromises in geometry correction. They also mention a dual-laser approach (blue plus red) to help color performance while staying within the rugged, install-friendly footprint typical of fixed-venue ProAV.

A quick heritage corner ties these products to Digital Projection’s long DLP timeline, including early 3-chip work, native 4K milestones, and the first Satellite concepts, while marking the company’s 30-year anniversary. This interview was filmed at ISE 2026 in Barcelona, and it’s a useful snapshot of where large-venue projection is heading: modular light engines, quieter heads, denser pixels for immersive surfaces, and simpler cabling for deployment day.

The booth also shows a compact high-lumen direction with the TITAN Luma range (including 35,000-class 4K units) aimed at big rooms where throw distance, rigging limits, and maintenance access are real constraints. An immersive room demo adds a software layer: projectors covering walls and floor, with interactive content that tracks a person’s movement, illustrating how projection is increasingly paired with real-time sensing, media servers, and show control to create responsive spatial work.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=Fid__bRPl_M

TOPDA demos a glasses-based 3D outdoor LED wall built around a tight 1.56 mm pixel pitch, aiming at close-view premium signage where you still want outdoor luminance headroom. The setup is shown as “plug-and-play”: content can be loaded via a processor workflow that includes simple local playback via a memory card, which is a common approach for quick demos and low-friction installs. https://topda-led.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

The booth walk-through shifts from the 3D wall to a broader rental/installation lineup spanning indoor and outdoor cabinets in multiple physical formats, plus “2-in-1” / “4-in-1” module concepts intended to simplify pixel-level assembly and service. Brightness is a central theme, with one outdoor line quoted at around 6,000 nits and another pushed up to 12,000 nits for high-ambient deployments, where thermal design, power delivery, and optical consistency become as important as raw output for real-world uptime on video.

Common-cathode is called out on the 1.56 mm product, which typically matters because it can reduce power draw and heat by optimizing drive conditions per LED channel, helping maintain color stability at high brightness. You also hear the “rental reality” requirements: fast build, predictable alignment, and camera-friendly performance, with a quoted 7,680 Hz refresh target to minimize scan artifacts and banding under shuttered cameras. The interview is filmed at ISE 2026 in Barcelona.

One of the more distinctive items is a carbon-fiber “holographic/transparent” display panel described as extremely light at about 3.7 kg, positioned for flown rigs and fast handling. The panel is shown with a fast-lock rear mechanism, and the conversation touches on stacking limits for hanging builds (up to 20 panels is mentioned) with an explicit safety-factor mindset, reflecting how rigging ratings and mechanical repeatability are often the deciding factors for rental fleets on a tight turnaround stage.

The company background is presented as a newer Shenzhen-based manufacturer, with references to large-scale case studies (stadium and event projects) to signal production readiness beyond demos. Overall, the video focuses on the engineering trade-offs that matter for 3D LED and high-brightness rental walls: pixel pitch vs. viewing distance, nit targets vs. power/thermal, high refresh for camera capture, and lightweight structures that speed up load-in and keep crews safer on a fast shoot.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=eRHcVNaH3TU

Panasonic walks through two projector angles: a high-brightness rental/staging platform update, and a compact 4K LCD unit aimed at simulation and venue installs. The headline is the new RQ45K rated at 42,000 lumens, positioned as a drop-in step up from the 30,000-lumen RQ35K while keeping the same cabinet footprint so existing rental frames and rigging workflows stay consistent. https://connect.panasonic.com/

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
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On the RQ45K, the technical story is about uptime and field practicality as much as raw output. The unit keeps compatibility with the D3 lens lineup, and adds a service-friendly layout that turns routine access to key parts from roughly 80 minutes into about 10, which matters when a projector is living in trucks, truss, and tight FOH areas. Panasonic also highlights a coated circuit board as a default feature for better resistance to moisture and dust in harsher environments.

Signal and integration are treated like first-class requirements: an Intel SDM slot is called out for flexible compute and I/O modules (including AV-over-IP style workflows), and 12G-SDI is built in by default so rental crews don’t need an extra option board just to stay in the SDI ecosystem. There’s also a new 5-inch onboard monitor for quick content preview and immediate visibility into status and error states, and the availability mentioned is May 2026, shown on camera from the show floor at ISE 2026 in Barcelona.

The second demo shifts from massive lumens to application tuning: Panasonic pairs a 4K LCD projector (VMQ85 noted at 8,000 lumens, with 6,000 and 7,000-lumen variants mentioned) with an indoor golf simulator. Key specs given are a 1.6x optical zoom and a 1.09–1.77 throw ratio, plus a “vivid green” mode tuned to make turf and course tones read more naturally in sports simulation, training, education, or corporate experiential setups.

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=4OR7-OpN9g0

Bose Professional walks through a ceiling-first approach to commercial audio, starting with DesignMax Luna DML88P: a pendant loudspeaker designed for open ceilings where you still want consistent SPL and tonal balance across a room. The core idea is wide, even coverage (a 140° pattern) paired with an integrated 8-inch woofer that reaches down to about 40 Hz, so many installs can keep the low end without immediately adding subwoofers. Typical mounting guidance lands around 3 to 4.5 meters, aiming for uniform “no hot spots, no dead zones” sound in hospitality, retail, and fitness spaces. https://boseprofessional.com/products/loudspeakers/pendant-mount/designmax-pendant-mount/designmax-luna-dml88p-loudspeaker

The interview then shifts to the DesignMax DM12SE, positioned as a higher-output, full-range box for spaces that want more headroom and deeper bass while keeping a clean install aesthetic. Technically it’s a 12-inch coaxial design with wide 100° conical coverage, and it’s built to be weatherized, so it can cross over from indoor performance areas to covered outdoor zones. Practical details like pan/tilt mounting and factory-optimized tunings matter here, because they reduce commissioning time while still allowing predictable voicing.

EdgeMax gets a quick but important spotlight because it solves a common ceiling-speaker limitation: how to throw sound from the room edge into listening areas without turning the ceiling into a grid of cans. Using Bose PhaseGuide technology, EdgeMax EM90/EM180 creates an asymmetrical pattern (90° or 180°) that behaves more like a surface-mount loudspeaker, but from an in-ceiling form factor. In real rooms—corners, perimeter seating, or classrooms—this can improve intelligibility and stereo coverage while keeping the architecture quiet.

On the portable and “roll-in” side, the conversation name-checks Bose’s F1 plus sub systems and the L1 Pro family, including the L1 Pro32 with 32 small drivers arranged to form a J-shaped array for broad horizontal coverage and controlled vertical behavior. That’s a useful bridge between fixed install and events: you can support a venue’s day-to-day background or program audio, then bring in portable reinforcement for peak nights without redesigning the whole rig.

Later, filmed at ISE 2026 in Barcelona, the tour widens into Bose Professional’s large-venue catalog—ArenaMatch and ShowMatch—where arrayable boxes and DeltaQ-based pattern control target stadium bowls, balconies, and long-throw live spaces. The key takeaway is that the portfolio scales from discreet ceiling and pendant coverage to high-SPL, coverage-managed systems, while keeping a consistent engineering vocabulary around directivity, intelligibility, and install efficiency.

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=5OsbXP2N9wA

DynaScan walks through where high-brightness LCD still makes sense in digital signage: storefront windows, outdoor enclosures, and kiosks where glare and reflections would normally wash out content. The core spec shown here is up to 4,500 nits peak luminance across 32–86 inch classes, paired with factory TrueColor calibration so brand colors stay consistent across multi-display rollouts. https://www.dynascan.com/products/ultra-high-brightness-lcds/

A practical detail is how resolution and brightness trade off by size: the 65 inch class shown is around 4,000 nits and typically targets crisp, readable text at close range, while 75 and 86 inch move to 4K for larger-format installs where pixel density still matters. The emphasis is on sunlight readability across the street, with coatings and optical treatments available to reduce mirror-like reflections on front glass too.

Beyond standalone displays, the booth focuses on kiosk architectures that can mix LCD, fine-pitch dvLED, ePaper, and even traditional lightbox posters inside a single serviceable housing. The idea is “future-proofing” by allowing an operator to swap display tech later without ripping out the whole street furniture, while keeping touch, camera, and interactive sensing options available for wayfinding, retail, or transit use cases too.

The ePaper segment is framed around reflective readability and power efficiency in bright ambient light, plus a push toward faster refresh cycles than the classic “tens of seconds” update model, enabling more frequent content changes. This interview was filmed at ISE 2026 in Barcelona, where the broader theme is unified outdoor signage that can blend emissive and reflective display types depending on viewing distance, dwell time, and energy budget in each location.

Management is handled through Total Control Cloud: a network dashboard for asset health, alerts, power telemetry, remote power cycling, and location-based dispatch. A notable feature is proof-of-display using internal sensing (checking that imagery is actually visible, not just that a media player is online), which matters for advertising accountability. On the integration side, DynaScan points to SDM/SCM expansion, HDBaseT options, and built-in Android media players to fit different IT and AVoIP workflows too.

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=FMOawiNhJt4

Panasonic’s KAIROS is positioned here as an IT/IP live production platform that treats switching like software-defined signal processing: flexible ingest, GPU/CPU compositing, and output mapping that isn’t locked to fixed M/E banks. The demo focuses on KAIROS software v2, adding multi-scene control so one system can behave like a production switcher and a presentation switcher, depending on how you build and recall scene logic. https://eu.connect.panasonic.com/es/en/broadcast-proav/itip-centric-video-platform-kairos

A key workflow detail is the optional HDMI I/O card: 4-in / 4-out with fully custom output resolutions, letting KAIROS generate multiple raster “surfaces” at once. In this setup the ribbon, main LED wall, and side screens are all driven as independent canvases, each with its own pixel map and timing. Scene Controller ties those elements together, so operators can treat multi-surface LED + side screens as one coherent show layer rather than a pile of separate feeds for work.

On monitoring, KAIROS shows four independent multiviewer heads, each configurable up to 36 PIPs, mixing horizontal/vertical sources and non-standard rasters in real time. The conversation also flags Panasonic’s IPMX certification for KAIROS Core 200/2000, a meaningful milestone if you’re building interoperable AV-over-IP around ST 2110 concepts without locking the stack to one vendor’s gear at ISE 2026 Barcelona, on a busy show floor over time.

Control hardware gets attention with the AW-RP200: more buttons, improved UI, NDI input support, macro triggers, and a secondary joystick aimed at robotic control. The macro concept is practical: one button can fire a timed sequence of camera presets and parameter changes, which matters when you’re juggling PTZ, box, and studio cameras while also driving graphics and screen layouts on cue from one surface of control on a rig.

Camera-side, the demo touches SMPTE ST 2110 coming directly out of a compact camera head over fiber into the network and up to KAIROS, plus support for SRT and NDI in the same ecosystem. There’s also a nod to LED-wall realities: optical filtering to reduce moiré, shared sensor family across camera types, and robotics-friendly integration (Panasonic protocol control, HDMI-to-12G-SDI conversion in a robotic head, and follow-focus accessories) for tours, corporate venues, and live event flow.

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=-dlEl20mOKA

LAMPRO (powered by Unilumin Group’s channel-focused brand strategy) is showing how rental and fixed-install LED is converging around finer pixel pitch, higher scan performance, and cabinets that can morph between flat, curve, and 90° corner geometry without forcing you to carry separate SKUs. The RN2/RNII-style indoor rental platform highlighted here targets camera-facing work where uniformity, service access, and mechanical repeatability matter as much as raw brightness. https://www.lampro.net/products/rnii-series-led-rental-lampro.html

A key theme is MIP packaging at 1.9 mm for rental and down to 1.2 / 0.9 mm (with talk of 0.7 mm) for meeting rooms and premium visualization. The pitch reduction is framed less as “more pixels” and more as better uniformity versus conventional SMD, tighter panel-to-panel continuity, and a cleaner surface for close-view use where module seams and LED binning become obvious to the eye.

For production and broadcast, the 7,680 Hz refresh rate is called out because it directly reduces rolling-band artifacts, flicker, and exposure interaction when filming LED. This matters in virtual production stages, studio backdrops, and corporate event capture, and it’s exactly the kind of spec you want to hear discussed on a show floor like ISE 2026 in Barcelona.

LAMPRO also positions “black LED” options (notably around 2.9 mm) as a practical bridge product: strong contrast ratio and grayscale for indoor image quality, while still being rugged and weather-capable enough for outdoor use. The business logic is simple—one inventory line can cover more jobs, so rental houses can keep utilization high without splitting budgets across multiple cabinet families.

On the commercial side, modular tile formats (including 25×25 cm modules and mixed aspect cabinets) enable non-rectangular compositions—DJ booth wraps, retail feature walls, tables with protective surface layers, and cube/column concepts for transit and museums. There’s also emphasis on COB / “LMini” style light emission being softer on the eye than SMD, plus claims of materially lower power and reduced heat dissipation for always-on deployments in public space.

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=Kkdm4E8xdpg

LiKYLIN walks through why fine-pitch LED is shifting toward COB (Chip-on-Board) for tighter pixel pitch, higher contrast ratio, and better long-term stability in meeting rooms, control rooms, and corporate video walls. The demo highlights a P1.5 COB cabinet redesign moving from 600×337.5 mm to 640×360 mm, with a 320×180 mm module that helps reduce visible seams and cabinet gap across a wall. https://likylin-led.com/

A standout concept is the Chameleon Series: when powered off it reads like a decorative printed artwork, and when powered on it behaves like a normal LED screen. The stack described here is SMD LEDs with a GOB (Glue-on-Board) protective layer, followed by UV printing on the surface; the tradeoff is reduced luminance, so the approach uses a white PCB plus white LEDs to keep roughly 500–600 nit brightness after the coating and print layer.

This interview was filmed at ISE 2026 Barcelona, and it’s framed around how display buyers now ask for materials, finishing, and integration—not only pixel pitch. The Chameleon idea is positioned for architecture, museum, and interior-design installs where a “black rectangle” is a deal-breaker, while the COB line is aimed at more traditional pro AV use where uniformity, stability, and contrast matter most.

On the outdoor side, LiKYLIN teases a rugged high-brightness product targeting DOOH deployments, quoting up to IP68 and up to 10,000 nits for daylight readability, plus water resistance as a durability talking point. There’s also a quick look at an indoor rental series and a mention of expanding into audio so projects can be delivered as an AV package rather than a display-only bill of kit.

The company positioning is “young but scaled”: OEM roots, a push to build the LiKYLIN brand globally, and a China footprint that separates R&D in Shenzhen from manufacturing in Chongqing. The discussion also reflects a broader industry theme—price competition is intense, so vendors lean on process tech like COB, GOB protection, and manufacturing automation to defend reliability and total cost over time.

—
HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
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I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=s48C4jGuQ10

Lightlink (Shenzhen Lightlink Display) walks through what matters most in rental LED: cabinets that go up fast, stay rigid, and keep image behavior predictable when you’re building a wall every day. The focus is on saving crew time and reducing handling load, with lightweight mechanical design and transport-friendly packaging aimed at touring and festival logistics. https://www.szlightlink.com/

For virtual production and XR stages, the demo highlights an indoor 2.6 mm class panel positioned for cinema-style shooting, where tight pixel pitch, high refresh rate, and stable scan performance reduce moiré, flicker, and camera-sync artifacts. In practice that means LED brightness and calibration (color uniformity, grayscale, gamma) are treated as part of the “camera pipeline,” not just a spec sheet detail.

They also show a 3.9 mm LED dance floor concept that can be used as a conventional wall or converted into a floor via protective surface/masking, so the same rental inventory can cover stage decking and vertical surfaces. For rental houses, that kind of modular reuse is about hitting weight limits indoors, simplifying spare parts, and keeping maintenance access realistic during a show day.

The large-format highlight is the 1 m × 1 m touring-style system described as a “king product,” built around trolley transport and rapid line-up for big festival grids. The “Black Panther” variant emphasizes wind-brace structure so airflow can pass through the rig, plus climbable/maintenance-friendly rear geometry for tall builds; the point is predictable safety margins when the wall gets huge. This segment is filmed at ISE 2026 in Barcelona, which makes sense given how much of the conversation is about deployment speed and show-floor practicality.

On the signal side, the workflow is framed around a NovaStar-style controller stack and software for distributing anything from 4K to 8K canvases across processors and receiving cards, matching what most rental teams already tour with. The company claims broad partner coverage across the US, Europe, and Korea, and the interview keeps returning to the same engineering tradeoff: reduce kilograms per cabinet, reduce minutes per square meter, and keep the wall consistent under pressure.

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HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
—

I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )

“Super Thanks” are welcome 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=qJiS_W7Zo70

faytech shows a new kiosk-style display architecture built around a very slim “screen + stand” look, where the compute, power, I/O, and other electronics are moved into the base. The front module is meant to scale from transparent displays to standard LCD sizes (the demo talks about 24″, 27″, 32″, up to 43″), while keeping the same minimal footprint and serviceable pedestal design. https://faytech.com/

The transparent version is basically a stacked optical sandwich: cover glass, a laminated touch sensor layer, double-sided ITO glass, the transparent OLED layer, plus a rear protection glass. The point is repeatability: faytech emphasizes in-house clean-room production for the display stack and faster customization cycles, which matters when you’re trying to ship a non-standard form factor quickly without turning the enclosure into a bulky “kiosk box” stack.

A practical part of the concept is modularity in the lower housing: you can add a payment terminal, printer, QR scanner, camera, ADA-oriented peripherals, or even an LED bar, or leave it clean depending on the deployment. This video was filmed at CES Las Vegas 2026, and the conversation also flags a real-world constraint: transparent OLED brightness and outdoor exposure are tricky, so if you want more rugged use (including weather-facing ideas), the LCD variant is presented as the more straightforward route.

The bigger message is that faytech is betting on vertical integration (enclosure manufacturing, optical bonding/lamination workflows, touch integration) to make “custom kiosk hardware” feel more like a configurable platform than a one-off project. They also tease microLED work as the next display direction, which fits the broader industry push toward higher brightness and longer lifetime for public signage, even if the near-term product here is mainly about industrial design and integration speed rather than a single panel spec roadmap.

I’m publishing about 100+ videos from CES 2026, I upload about 4 videos per day at 5AM/11AM/5PM/11PM CET/EST. Check out all my CES 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjaMwKMgLb6ja_yZuano19e

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 ), watch all my DJI Pocket 3 videos here https://www.youtube.com/playlist?list=PL7xXqJFxvYvhDlWIAxm_pR9dp7ArSkhKK

Click the “Super Thanks” button below the video to send a highlighted comment under the video! Brands I film are welcome to support my work in this way 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=wfFmxiAFzlI

This video looks at faytech’s interactive fitting mirror idea: a large-format smart mirror with a 4K UHD touchscreen and a bright LED-lit frame that lets shoppers (or showroom visitors) preview content directly around their reflection, then interact via touch to scroll and trigger on-screen workflows. The demo focuses on practical in-store controls like adjusting LED brightness and correlated color temperature, so the “try-on” view can be tuned to match the surrounding lighting. https://faytech.com/

Under the hood, the mirror behaves like digital signage plus a touch computer: projected-capacitive (PCAP) 10-point multi-touch, an integrated camera for capturing images/video, and standard connectivity so it can plug into a retailer’s catalog, POS, or content-management stack. faytech describes this fitting-mirror line with options like a 65-inch 3840×2160 panel, 360° adjustable LED lighting with selectable CCT steps (for example 3000K/4000K/5000K), optical bonding, and typical I/O like HDMI/DP/USB/RJ45 to integrate into an existing AV chain or kiosk controller video.

What’s interesting here is software flexibility rather than “AR magic”: the unit can run Windows or Android (or act as a high-resolution monitor), while the store supplies its own UI for guided selling, outfit visualization, furniture placement concepts, or storefront engagement. That makes it closer to a programmable kiosk surface—camera, lighting, and UI in one enclosure—than a single-purpose gadget there.

The footage was filmed at CES Las Vegas 2026, and the conversation stays grounded in day-to-day deployment: responsive touch navigation, camera-based visualization, and lighting controls that help align what people see on-screen with the physical environment. The hard problems are integration and operations—calibration, privacy policies for captured media, and keeping the system updated and stable on a busy retail floor every day.

faytech Smart Mirror Demo: 4K 10-point multitouch with LED light control + camera for virtual try-on
faytech Retail Mirror Kiosk: 4K touch UI, adjustable color temp LEDs, camera-based fitting workflow

I’m publishing about 100+ videos from CES 2026, I upload about 4 videos per day at 5AM/11AM/5PM/11PM CET/EST. Check out all my CES 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjaMwKMgLb6ja_yZuano19e

This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 ), watch all my DJI Pocket 3 videos here https://www.youtube.com/playlist?list=PL7xXqJFxvYvhDlWIAxm_pR9dp7ArSkhKK

Click the “Super Thanks” button below the video to send a highlighted comment under the video! Brands I film are welcome to support my work in this way 😁

Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY

source https://www.youtube.com/watch?v=rhlDCkZewrw