Nanosys CEO Jason Hartlove talks at Nanosys Silicon Valley headquarters, talks about how his company helped make Quantum Dots a success in the market, where it's going next. Topics include the story behind the development of the first quantum dot products, the quantum mechanics of how a quantum dot actually works, as well as a look at the long term roadmap for the technology from QDEF and QDOG to QDCC to QDEL displays of the future.
Nanosys has been at the center of the Quantum Dot universe from the beginning. Founded in 2001 by scientists from UC Berkeley and MIT who helped discover the technology in the early 1980’s, Nanosys finally solved the product/market fit for Quantum Dots by developing a simple component called QDEF.
Ten years ago Quantum Dots were a relative unknown. Mostly a research curiosity, the nanotechnology’s unique ability to convert energy into light captivated the imaginations of scientists who envisioned amazing applications in dozens of industries from solar to printing, to displays and to defense. But commercial success remained out of reach, even decades after its initial discovery. Fast forward to today, “Quantum Dot” is a household name and can be found plastered on the packaging for millions of TVs, monitors and tablets around the world.
The Vuze+ by Humaneyes Technologies is a 360 degree camera with 8 camera lenses. It can record in 4K 3D and 2D 360 degree footage. The Vuze+ has 2 Ambarella A9 video processors, a micro-SD card slot, WiFi and USB port.
The Vuze XR offers 180 degree footage in 3D, 5.7K video footage, 18M pixel photos, and 2D 360 degree footage. The Vuze XR has Four ambarella H2 processor,2 12M pixel lenses, micro-SD card reader, Four MEMS 48Hz microphones, and a 1200mAh battery.
Colorii Factory Tour, creates Type-C Hubs in Shenzhen China. Colorii WH1 is a HDMI 4K USB Type-C Hub with wireless charging. It comes with a 2.5D glass top panel and aluminum bottom panel, with 4K@30Hz support on the HDMI output, 2x USB3.0 host, PD3.0 fast charge and data transfer on the Type-C port, and SD, micro SD card reader. All Colorii products are based on private designs with own PCBA layout.
Full upstream implementation of Hardware accelerated video decoding (mainly H264) with the generic V4L2 Mem2Mem API, Zero-copy rendering with DRM Atomic kernel Drivers, DMA-BUF transferred from V4L2 to DRM, FFmpeg V4L2 Mem2Mem integration with Kodi, Kodi GBM Display for Atomic Direct to plane rendering.
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Dixie Dixon is a Pro Fashion Photographer, Nikon Ambassador, in this Interview she talks about using the new Nikon Z7 Full Frame Mirrorless camera during her Pro Fashion Photography shoot as part of the official Nikon Z7 launch campaign, adapting her favorite lenses including the Nikon 105mm f1.4, using the autofocus, using IBIS, using it for video. In this video I edit in some parts of her official Nikon Z7 video which shows "Behind the scenes" during her Nikon Z7 photo shoot. I also edit in some of the photos that she shot on there.
Sample video interview at the Canon Photokina 2018 booth filmed with the 24-105mm f4 on the Canon EOS R camera, since I filmed this in 4K30 it crops in by 1.8x. We also talk about the upcoming 28-70mm f2. This 24-105mm has in-lens stabilization which I thus am testing out in this video, the camera body has no IBIS though so the stabilization here is based on the lens only. EF-S lenses such as the 400euro 10-18mm for the 80D might be a good way to video-blog in 4K even with the 1.8x crop with the equivalence of an 18-32mm.
Canon releases their new Full Frame Mirrorless camera system, the Canon EOS R comes with a new R Mount, with new lenses but it can also adapt all previous Canon lenses using their adapter. They have a very fast and precise Dual Pixel AF for very accurate video autofocus performance. It only has a single SD card slot, 4K video has an 1.8x crop. It does have IBIS neither but the lens based stabilization such as in the 24-70mm f4 kit lens is quite good. The positioning is about in the middle between a 6Dmark2 and a 5Dmark4. The new Dual Pixel CMOS AF sensor provides high autofocus performance and low light ability. The new mount also provides very high bandwidth allowing for new features in the lens for better performance. Canon emphasises that the EOS R system is designed to be future proof, this camera is the start for this new mount, possibly this could mean they might soon also provide more video centric camera without the 1.8x crop in 4K shooting, I'd hope with video features like in the new XF705 Pro Camcorder such as 110/160mbitps H265 HEVC for 4K60 HDR HLG 10bit 4:2:2 recording internal to dual SD card slots too.
First Pro level camera with H265 HEVC compression format, saving higher quality to a 110 or 160mbit/s to dual SD cards, 1" sensor recording HLG and PQ, it can record HDR (internal) and SDR (external) streams at the same time. Follow-up on the very popular XF305, it has 12G SDI connector, HDMI, 16Mbit/s IP streaming (even with 4K60 HDR). Dual XLR one at the front and one at the back. Slightly smaller and lighter than the XF305. The display can be swung onto one side or onto the other. It has Dual Pixel CMOS Autofocus which can also be used in manual focus mode with focus assist to help confirm proper focus in manual focus mode. Price is going to be around €7000 plus tax. Avid and other video editing apps will provide H265 HEVC support on launch. It also supports Canon Log3 for post production color grading. There is also H264 XF-AVC in 8bit 4:2:0.
The Sony Alpha Full-frame E-mount 24mm F1.4 Wide Prime G Master Lens (pre-order for $1398 at Amazon) features an advanced optical design, including two XA (Extreme Aspherical) elements and three ED (Extra-low Dispersion) glass elements delivering great corner-to-corner resolution, even at a wide F1.4 aperture. An 11-blade circular aperture mechanism creates great bokeh, a hallmark of the G Master series, fast focusing is attained through the DDSSM (Direct Drive SSM) focus drive system. This lens sports class-leading size and weight, providing great handling and mobility. I filmed a whole other interview using this 24mm f1.4 G Master lens on the A7III with Ben Pilling about the latest status of Sony in the Digital Imaging market here.