Vivalyte walks through a toolkit that sits between LED display hardware and architectural lighting, where “video-driven light” and “pixel-controlled line light” start to blur. The Phantom Mesh concept is a see-through LED mesh aimed at glass, façades, and staging, with the demo focusing on two transparency/definition tradeoffs: around 6.2 mm pitch for a denser image, and around 10 mm pitch for higher optical transparency. It’s designed to scale into large-format surfaces via small mechanical connection pieces and modular sections, so you can build long runs without turning the build into a heavy video-wall project. https://vivalyte.com/solution/phantom-mesh/
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A practical detail is how the mesh is driven: it behaves like a conventional video endpoint, so standard LED control ecosystems like NovaStar or Colorlight can feed it, and then your choice of media server or mapping stack (Pixera, MadMapper, etc.) handles content workflows. In the booth, they describe variants with different power-box placement (top vs top+bottom), plus an exhibition-oriented mesh prototype intended to mount into common booth frame systems like Aluvision and beMatrix, targeting faster rigging and cleaner alignment on show builds too.
The other thread is Vivalyte’s “Dynamic Lightbox” idea: combining printed fabric (or other translucent layers) with a low-resolution LED backplane (they mention P20) to add motion, highlights, and day/night effects without the “raw LED screen” look. Instead of replacing print, the LED becomes a controllable light engine behind the graphic, so you keep sharp printed detail while selectively animating regions, gradients, and glow. This segment was filmed at ISE 2026 in Barcelona, and it fits the broader trend of hybrid media surfaces that need to read well at close range and still scale to big areas here.
For ceilings and interiors, the stretch-ceiling demo shows a layered approach: an acoustic layer, then backlight bars, with tunable-white control from about 1800 K to 6500 K over DMX. The “big pixel” approach they mention (large controllable zones) is a reminder that not every surface needs high spatial resolution; for circadian-style ambience, smooth CCT transitions and uniform diffusion matter more than tight pitch here.
Finally, the Neon Flex lineup is positioned as architectural “line media” rather than faux neon: silicone extrusion with internal LEDs, DMX pixel control, and even a fully 3D-bendable variant with about 25 mm pixel pitch for richer chases and effects. They also point to a two-part construction in the 40F series (cover + strip) to hide starts/ends and enable seamless continuous lines, which is exactly the kind of detail that decides whether an install reads as a clean architectural element in the real world, not a segmented strip here.
I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk
This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 )
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Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY
