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At Integrated Systems Europe (ISE) 2025, Unilumin showcased a range of advanced LED display technologies, highlighting their commitment to innovation in visual solutions. A focal point was the introduction of Micro in Package (MIP) technology, which merges the advantages of Surface-Mounted Device (SMD) and Chip-on-Board (COB) methodologies. This integration results in enhanced screen durability, anti-glare properties, and reduced power consumption through a common cathode flip chip design. The MIP technology also offers superior contrast ratios and improved grayscale performance at low light levels.

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Megapixel VR is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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Unilumin’s U Shield technology was another highlight, designed to increase screen durability by making displays five times more impact-resistant. By eliminating the traditional mask from the screen, U Shield enhances viewing angles, color dispersion, and brightness, leading to a more robust and high-performing display solution.

In professional-grade applications such as virtual production, broadcast, and control rooms, Unilumin presented MIP-based displays with a pixel pitch of 1.2 mm. These displays feature anti-reflection and anti-blue light layers to reduce eye fatigue during prolonged viewing. The design includes a larger gap between pixel packages, resulting in deeper blacks, better contrast ratios, and improved color consistency across the screen.

For applications requiring finer detail, Unilumin showcased a 0.7 mm pixel pitch MIP display. Despite its high brightness, the display remains cool to the touch, indicating efficient thermal management and energy efficiency. Additionally, a prototype 0.4 mm pixel pitch micro LED display was unveiled, with plans to develop a 0.3 mm version by the end of Q1. These advancements enable achieving 4K resolution in smaller display sizes.

The UTV SC Series was also featured, with the 135-inch Pro model utilizing U Mini 3 Pro panels to deliver higher contrast and brightness levels. With a 0.7 mm micro LED display, this series allows for direct connection to the onboard video controller, bypassing the Android operating system. The modular design enables seamless splicing of multiple screens to create larger displays, such as a 329-inch configuration.

In the realm of digital signage, Unilumin introduced the Uslim S2, a dual-sided signage product featuring two independent screens within a single chassis. Each side can operate at different brightness levels and display distinct content, making it ideal for retail window applications where varying display requirements are needed for interior and exterior viewing.

The Udesign SV transparent screen was another innovative product on display, offering 93% transparency, high brightness, and an ultra-lightweight design. With a contrast ratio of 9,000:1 and 16-bit grayscale processing, it delivers vivid colors and is suitable for applications in shop windows, immersive experience centers, and other environments where both transparency and high visual quality are desired.

A standout introduction was the Unatural series, which combines chip-on-board technology with a new surface treatment to transform LED panels into interior design materials. When powered off, the display mimics materials like wood veneer or marble, seamlessly blending into its environment. When powered on, it functions as a high-definition display. This customizable solution allows for bespoke designs, enabling the screen to complement the aesthetic of various spaces, including high-end commercial areas, art galleries, and museums.

Unilumin’s presence at ISE 2025 underscored their position as a leading LED display manufacturer, offering a diverse range of products across various categories and price points. Their extensive product lineup and commitment to innovation cater to a wide array of applications, from professional displays to retail signage and architectural integration.

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At ISE 2025, AOTO’s booth showcased a range of advanced LED display solutions tailored for various applications. The RM Series, particularly the RM 1.5e and RM 1.5c models, were highlighted for their seamless integration capabilities, enabling the creation of expansive, curved displays without size limitations. These configurations support 4K resolution, catering to high-definition content requirements.

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Megapixel VR is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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A notable exhibit was the RM 1.5b, designed to form cube displays. This modular approach allows for versatile content presentation across multiple facets, enhancing visual engagement in dynamic environments.

AOTO introduced its ballroom solution, marking its debut at ISE. This XR (Extended Reality) platform is engineered for enterprise applications, offering immersive experiences by expanding virtual environments onto physical stages. The system integrates seamlessly with existing setups, providing a comprehensive solution for modern presentations.

The booth also featured a transparent display, characterized by its extreme display capabilities, lightweight design, and high transparency. This technology is ideal for applications requiring unobtrusive yet impactful visual elements, such as retail showcases or interactive installations.

For corporate settings, AOTO presented the SID 1 120, an all-in-one display solution. This unit boasts a sleek design with an ultra-narrow frame and multiple interfaces, facilitating high-quality full HD video conferencing and global team collaborations.

In the realm of outdoor advertising, AOTO unveiled a dual-sided transparent display capable of presenting different information on each side. This innovation enhances advertising potential by maximizing content delivery within limited spaces.

The RM Series was further showcased with a curved display model, the RM 2.3b, offering creative configurations for engaging visual presentations. Additionally, a virtual production setup demonstrated AOTO’s capabilities in sports solutions, where camera perspectives can dynamically alter displayed content, providing tailored viewing experiences.

AOTO’s MIP technology displays were also on display, featuring various pixel pitches ranging from 0.9 to 1.8. These displays cater to diverse applications, delivering high-resolution visuals suitable for control rooms, broadcast studios, and other professional environments.

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At ISE 2025, PlexusAV showcased its latest advancements in AV-over-IP technology, emphasizing interoperability and low-latency performance. The company highlighted its commitment to open standards by utilizing IPMX, ensuring seamless integration with various vendors and allowing customers the flexibility to select best-of-breed products without being confined to a single manufacturer.

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A focal point of the presentation was the P-AVN-4, a 4K60 transceiver powered by PoE+ that functions in both encoding and decoding modes. This device features a front-panel display for easy identification of its operational mode and IP address, facilitating straightforward access to its local interface. Additionally, it supports USB routing and incorporates Dante for audio-over-IP capabilities, enhancing its versatility in diverse AV setups.

The P-AVN-4’s design allows for flexible installation options, including rack-mounted configurations. PlexusAV offers solutions accommodating up to three units per rack unit or a high-density option supporting up to 14 units across, optimizing space utilization in various deployment scenarios.

Operating efficiently on standard 1 Gigabit network switches, the P-AVN-4 eliminates the need for specialized networking equipment. Its front-panel display provides critical information, including device mode, customizable naming, and IP address, streamlining device management and control.

Complementing the hardware, PlexusAV introduced the Visual Array management platform. Available in both mini PC and server configurations, Visual Array offers comprehensive control over connected devices. Its dashboard provides real-time device statistics, alarm aggregation, and tools such as IGMP auto-detect and IP conflict detection. The platform supports bulk deployment, allowing for rapid configuration of multiple units, and features live video thumbnails for efficient content monitoring.

Another significant innovation is the Stream Conversion Gateway (P-AVN-SCG), designed to integrate various IP-based technologies into a unified ecosystem. This gateway supports multiple protocols, including SRT, NDI-HX, RTSP, and MPEG-TS, enabling the conversion of these streams into IPMX signals. This functionality allows for seamless incorporation of diverse technologies, such as NDI cameras and encoders, into existing AV infrastructures.

The Stream Conversion Gateway also facilitates the conversion of IPMX signals to other protocols, providing flexibility in signal distribution across different platforms. This capability is particularly beneficial for applications requiring bandwidth optimization, such as streaming over wireless networks or the internet, where adaptive bitrate management is crucial.

PlexusAV’s solutions are built upon FPGA technology, ensuring accelerated performance and adaptability to evolving AV-over-IP standards. The company’s commitment to IPMX positions its products as future-proof solutions, offering interoperability with other vendors and the flexibility to expand ecosystems without the need for extensive infrastructure overhauls.

Despite being a relatively new entrant in the AV-over-IP market, PlexusAV benefits from the extensive experience of its parent company, Sencore, which has over 70 years of industry expertise. This combination of innovative technology and seasoned industry knowledge underscores PlexusAV’s dedication to delivering high-quality, interoperable AV solutions.

For more information on PlexusAV’s products and solutions, visit their official website: https://plexusav.com/

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At ISE 2025, INFiLED’s booth is thoughtfully divided into three distinct sections, each highlighting specialized LED display solutions. The first area emulates a living room studio environment, featuring a comprehensive broadcasting setup. This includes a 1.9mm pixel pitch background composed of both flat and curvable panels, a dance floor display, and ceiling-mounted LED panels that double as lighting devices. These installations are powered by Brompton processing, ensuring high refresh rates and superior grayscale performance essential for professional studio applications.

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Adjacent to the studio setup, INFiLED showcases its Cold LED series, designed for broadcast and corporate environments. These panels operate at body temperature and consume 30% less power than standard LED panels, offering energy efficiency without compromising performance. The Cold LED technology addresses heat-related challenges, enhancing both durability and viewing comfort.

The central area of the booth is dedicated to corporate and control room solutions. Here, INFiLED presents an all-in-one solution for meeting rooms, featuring integrated accessories such as a 4K display, camera, speakers, remote control, and touch functionality. This setup supports screen mirroring and multiple device connections, facilitating versatile presentation and conferencing capabilities.

For control room applications, INFiLED offers displays with separate power supplies, ensuring uninterrupted 24/7 operation. Notably, a 0.7mm pixel pitch screen from the Cold LED series is on display, providing ultra-fine resolution suitable for environments requiring prolonged screen usage. The modular design allows for customizable sizes to fit various control room configurations.

The final section of the booth focuses on rental and staging solutions, with the MC series, or “Mag Cube,” taking center stage. This product is tailored for creative scenarios such as concerts, shows, and broadcasts, offering flexible installation options, including wall and ceiling configurations. Its compatibility with various rental series and availability in different pixel pitches make it a versatile choice for dynamic visual displays.

INFiLED also highlights other rental products, such as the MV Mark I panels, designed for outdoor use with high brightness and relatively low pixel pitch. These panels are certified for outdoor applications and can be easily transported and assembled, catering to the demands of live events and touring productions.

In terms of market positioning, INFiLED is recognized as a leading manufacturer and supplier of high-quality LED panels. The company offers a range of products across various price points, emphasizing quality and innovation in the LED display industry. Their extensive portfolio includes solutions for fixed installations, rental staging, creative applications, sports, and virtual production, demonstrating a commitment to meeting diverse market needs.

Overall, INFiLED’s presence at ISE 2025 underscores its dedication to providing advanced LED display solutions tailored to a wide array of professional applications. By addressing specific industry requirements and incorporating innovative technologies, INFiLED continues to enhance the visual experience across different sectors.

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At ISE 2025, Hive and Panasonic unveiled a groundbreaking collaboration that redefines media playback and projection technology. The centerpiece of their joint presentation was an immersive installation powered by seven Panasonic 25,000-lumen projectors, each integrated with Hive’s Beeblade Pluto media player. This setup eliminates the traditional need for external media servers, showcasing a streamlined approach to high-resolution content delivery.

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Hive’s proprietary Beesync software played a crucial role in this demonstration, ensuring precise synchronization across all projectors. By leveraging Precision Time Protocol (PTP) and HDMI genlock, the system maintained frame accuracy within microseconds, resulting in a cohesive and fluid visual experience. This method underscores a shift towards more efficient and reliable synchronization in large-scale AV installations.

A notable feature of the exhibit was the integration of a live Unreal Engine scene projected onto the floor. A high-performance PC equipped with a V3 GPU rendered real-time 3D graphics, which were then streamed via NDI to the projectors. This dynamic setup allowed for interactive visuals, enhancing the immersive quality of the presentation and demonstrating the potential of real-time rendering in live events.

The installation also offered an interactive component where attendees could upload personal photos. Upon submission, the system extracted metadata such as location coordinates, which then guided the visualization. The display would rotate a virtual globe to the corresponding location, highlight the area, and present the user’s photo, seamlessly expanded using AI-driven outpainting techniques to fit the large projection canvas.

In terms of hardware innovation, Hive introduced the Beeblade Nexus, their latest media engine. This compact yet powerful device supports 8K60 HDMI 2.1 output and features optical fiber Ethernet interfaces capable of 10, 25, and 100 Gigabit connectivity. The Nexus supports uncompressed media streaming via SMPTE 2110 and NDI protocols, catering to the demands of high-bandwidth applications in professional AV environments.

The Beeblade Nexus is designed for versatility, compatible with any display device featuring an SDM-L socket. It can be housed in Hive’s modular enclosures, such as the Nucleus chassis, which accommodates two Beeblade modules in a 1RU configuration, or the Beehive chassis, supporting up to 16 modules in a 5RU format. A fully loaded Beehive delivers 16 synchronized 8K60 outputs, representing the highest density media playout solution currently available.

Complementing the hardware advancements, Hive’s V1.2 software update introduced several new features. These include 10-bit HDR support for enhanced color accuracy, warp and blend tools for seamless multi-projector setups, and Vioso camera-based calibration workflows for efficient alignment. Additionally, a new Dataflow interface enables event-driven playback control through intuitive flowchart-based designs, expanding creative possibilities for AV professionals.

This collaboration between Hive and Panasonic at ISE 2025 highlights a significant evolution in media playback and projection technology. By integrating advanced hardware with innovative software solutions, they have demonstrated a scalable, efficient, and immersive approach to large-scale visual installations, setting a new standard for the industry.

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At Integrated Systems Europe ISE 2025, Samsung unveiled a range of advanced display technologies, emphasizing their commitment to innovation in visual solutions. A highlight was the 265-inch IWC model featuring a 1.2mm pixel pitch, showcasing anamorphic content that appeared to extend beyond the screen. This effect was enhanced using projectors and a smoke system, all driven by Samsung’s proprietary S-Box processor, delivering 120Hz refresh rates and 95% DCI-P3 color gamut coverage.

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In the realm of microLED technology, Samsung introduced the MMFA All-in-One, an entry-level microLED display with a 1.5mm pixel pitch and 500 nits brightness. Designed for boardrooms and meeting spaces, this display offers 16-bit color depth and is built for durability and ease of maintenance. Its modular design allows for quick installation, typically within a few hours.

For command and control applications, Samsung presented a premium display with a 0.8mm pixel pitch, measuring 265 inches diagonally. Configured in an 8K by 4K resolution, this display boasts EMC Class B certification to prevent radio interference and features power and signal redundancy to ensure continuous operation. The integration of Black Seal technology enhances its deep black levels, crucial for detailed visualizations in critical environments.

Samsung also showcased a 54-inch transparent microLED display with a 0.6mm pixel pitch, offering 600 nits brightness and 60% transparency. Comprising four cabinets installed side by side, this display is poised for mass production by mid-2025, targeting applications in retail and interactive installations.

Addressing the growing demand for corporate broadcasting solutions, Samsung collaborated with ARRI, a leading camera manufacturer, to develop a bundled solution featuring a 1.6mm pitch screen. This package includes real-time content management tools, optimized color processing, and is tailored for organizations seeking high-quality in-house production capabilities.

In automotive retail, Samsung demonstrated a 146-inch diagonal display configured in a 4×4 cabinet setup, achieving 4K resolution. Paired with a car configurator, this setup allows customers to visualize vehicle customizations in real-time. A smaller 2×2 HD screen complements the main display, providing additional interactive options.

For museum applications, Samsung utilized the same transparent microLED technology to recreate historical artifacts, offering viewers a glimpse into the past with enhanced visual context. The flexibility of mounting options, including landscape, portrait, and pivot orientations, allows for versatile installations tailored to exhibit needs.

Culminating their showcase, Samsung unveiled a premium all-in-one solution with a 0.8mm pixel pitch, measuring 146 inches and delivering 20-bit color depth. This display integrates the S-Box processor and supports 4K resolution, making it suitable for high-end auditoriums and luxury home theaters. Its modular design ensures straightforward installation, typically completed within two hours.

These innovations underscore Samsung’s dedication to advancing display technology across various sectors, from corporate environments to retail and entertainment. For more information on Samsung’s latest offerings, visit https://www.samsung.com

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Samsung has introduced a 75-inch outdoor E Ink display prototype featuring Kaleido 3 technology, designed for digital signage applications. This large-format ePaper display supports up to 4,096 colors and boasts an impressive one-second refresh rate, making it ideal for environments requiring frequent content updates. By comparison, the smaller Spectra 6 display—available in a 32-inch version—offers a richer color range of up to 65,000 colors but requires approximately 15 seconds to refresh, making it more suitable for static or semi-static signage where rapid updates are not as critical. Samsung is currently evaluating market demand for the 75-inch version before committing to full-scale production.

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Both displays utilize energy-efficient ePaper technology, which consumes power only when updating content. Once an image is set, it remains visible without drawing additional electricity. This technology is particularly valuable for sustainability-conscious businesses, as it drastically reduces energy consumption compared to traditional LCD or LED displays. The Kaleido 3 model integrates edge LED front lighting for nighttime visibility, while its reflective display technology allows it to appear brighter under direct sunlight without requiring a backlight during the day.

The 75-inch display features a 5K resolution, achieved by combining a monochrome ePaper base with an RGB color filter. This results in high visual clarity, ensuring that text and images appear sharp even from a distance. In contrast, the Spectra 6 display has a lower 2K resolution but benefits from a broader six-color spectrum, enhancing color vibrancy. While the larger display prioritizes speed and efficiency, the Spectra 6 variant is tailored for applications demanding greater color fidelity.

Samsung has confirmed that mass production of 32-inch ePaper displays will begin in March for European markets, with smaller 25-inch and 13-inch models following later in the year. These developments signal the company’s broader commitment to sustainable display solutions, particularly as organizations seek to reduce their environmental impact by moving away from printed materials and high-energy digital signage.

Both the Kaleido 3 and Spectra 6 displays rely on electro-optic display technology, where millions of microcapsules containing color particles are manipulated using a thin-film transistor (TFT) backplane—similar to LCD screens—to achieve the desired image. Once arranged, these particles remain in place indefinitely without requiring additional power, ensuring long-lasting image retention.

The Spectra 6 model, while offering more color depth, is primarily suited for applications where high-quality imagery is a priority, such as retail displays and menu boards. Its slower refresh time limits its use in real-time digital signage scenarios. Meanwhile, the faster-refreshing Kaleido 3 model is ideal for transit schedules, information boards, and outdoor signage where quick updates are necessary.

Samsung envisions these displays as part of a larger push to replace paper-based advertising and signage with eco-friendly digital solutions. While initial costs remain a consideration, the low operational expenses and high durability of ePaper displays make them an attractive investment over time. As production scales up, prices are expected to decrease, further driving adoption.

With its ability to operate in extreme temperatures ranging from -15°C to 65°C, the 75-inch Kaleido 3 display is well-suited for outdoor installations across various climates. As Samsung continues to refine this technology and assess customer feedback, the integration of ePaper into mainstream digital signage could represent a major shift toward sustainable, low-power display solutions.

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Geniatech showcased its latest partial color E Ink screen refresh technology at ISE 2025, demonstrating a new driver board based on E Ink Spectra 6. Unlike conventional solutions that rely on standard TCON driver chipsets, Geniatech has developed its own FPGA, allowing for a more flexible and efficient way of updating content on E Ink displays. This approach results in higher DPI and a smoother experience, particularly for applications like digital menu boards, where only selective parts of the screen need to be updated rather than refreshing the entire display. More details can be found at https://www.geniatech.com.

One of the key innovations of this system is its ability to perform non-rectangular partial updates, meaning that only specific elements—such as a price or a dish name—can be refreshed without affecting the rest of the content. This significantly improves user experience by reducing flickering, a common drawback in traditional E Ink updates. In practice, this means that restaurant menus, retail displays, and other digital signage applications can dynamically update individual sections without redrawing the entire page, leading to a smoother and more natural-looking transition.

Geniatech’s approach also enables more efficient power usage, although the primary goal of the technology is to enhance display performance rather than minimize energy consumption. The ability to target updates to specific areas of the screen helps maintain clarity and eliminates unnecessary redraws, making it particularly useful for scenarios where information needs to be updated frequently but without causing distractions.

The company believes this market has substantial growth potential, especially as industries look for sustainable alternatives to paper-based solutions. Even if only a small percentage of traditional printed signage is replaced with E Ink displays, the impact could be significant. The flexibility of Geniatech’s API allows for seamless integration into content management systems (CMS), enabling businesses to easily update their displays through web-based platforms.

Technically, the system requires precise control of every pin on the display, which Geniatech has achieved through its proprietary driver board design. This level of control enables more efficient and cost-effective large-scale color E Ink displays, making them more viable for mass adoption. In addition to the driver board, the company is also developing supporting hardware, including the player board and BSP (Board Support Package), as well as cloud service integration for remote content management.

Geniatech envisions a future where regulatory measures, particularly in the EU, could encourage businesses to adopt low-power display technologies. With sustainability and energy efficiency becoming key factors in consumer and business decisions, E Ink solutions provide an eco-friendly alternative to conventional LCD and LED displays. The technology is particularly well-suited to outdoor use, where glare-free, paper-like readability is an advantage over traditional backlit screens.

The demonstration at ISE 2025 was an early-stage prototype, rapidly developed just days before the event. While optimizations such as reducing reflections on the display are still in progress, the core functionality is already promising. As development progresses, Geniatech aims to refine the display quality to closely resemble real paper while maintaining the advantages of digital adaptability.

By combining proprietary hardware, optimized firmware, and cloud-based content management, Geniatech is positioning itself as a leader in next-generation E Ink signage. The potential for widespread adoption spans multiple industries, from hospitality to retail and beyond. With a focus on improving performance, reducing costs, and supporting sustainability efforts, this technology could help drive a significant shift towards more energy-efficient digital displays.

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At ISE 2025, Centron Design unveiled their latest innovation in AV-over-IP technology: a system capable of transmitting 4K resolution at 120 frames per second (fps) with integrated USB 3.0 support. This solution leverages the advanced AV1 Proprietary 4K120 codec, known for its efficient compression and high-quality output, enabling high-definition video and data transmission over standard IP networks. The system’s high integration allows for seamless support of HDMI 2.1 inputs, ensuring compatibility with the latest high-definition sources.

A standout feature of Centron’s offering is its Picture-in-Picture (PiP) mode, which allows users to control multiple transmitter devices simultaneously. This functionality is particularly beneficial for applications such as digital signage and control rooms, where managing multiple video sources efficiently is crucial. The system also supports USB over IP, facilitating the integration of USB peripherals like cameras and storage devices into the networked environment.

The technology operates over a standard 1 Gigabit Ethernet infrastructure, utilizing advanced compression techniques to maintain high image quality with minimal latency. Centron reports a Peak Signal-to-Noise Ratio (PSNR) above 35, indicating superior image fidelity. The adoption of the AV1 proprietary codec, an open-source and license-free standard developed by the Alliance for Open Media, ensures broad compatibility and future-proofing as AV1 becomes increasingly prevalent in media applications.(can remove)

To achieve low latency, Centron has developed a proprietary adaptation of the AV1 proprietary codec, reducing transmission delays to below one frame, approximately 8.7 milliseconds. This low latency is critical for real-time applications such as live broadcasting and interactive installations. The system’s hardware design includes a transceiver architecture, allowing each unit to function as either a transmitter or receiver, simplifying deployment and inventory management.

Centron’s solution is designed to work over standard Gigabit Ethernet networks, eliminating the need for specialized or high-cost switching equipment. This approach makes the technology accessible for a wide range of applications, from residential setups to large-scale commercial installations. The system’s high integration and reliance on standard networking infrastructure offer a cost-effective and scalable solution for high-definition AV distribution.

In addition to their AV-over-IP solution, Centron showcased a wireless display collaboration system at ISE 2025. This system enables wireless transmission of video and USB data over Wi-Fi, supporting 4K resolution at 30 fps with latency below 150 milliseconds. It is particularly suited for bring-your-own-device (BYOD) environments, allowing seamless integration of personal devices into collaborative settings.

Centron also presented a gaming capture device featuring both HDMI and USB Type-C inputs, catering to the growing demand for versatile capture solutions in gaming and live streaming. This device supports 4K resolution at 60 fps, providing high-quality video capture for content creators. The inclusion of USB 3.2 connectivity ensures high data transfer rates, essential for uncompressed video capture.

Overall, Centron’s offerings at ISE 2025 highlight their commitment to advancing AV-over-IP technology, providing high-performance, low-latency solutions that leverage existing network infrastructures. Their innovative approach addresses the evolving needs of various industries, from professional AV installations to consumer electronics.

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At ISE 2025, Christie showcased its latest advancements in projection and display technology, emphasizing immersive and interactive experiences. A highlight was the M 4K RGB projection series, demonstrated through an art mapping installation titled “Embryogenesis.” This setup utilized two projectors to map vibrant content onto a multi-layered wooden sculpture, illustrating the system’s capability for small-scale projection mapping in artistic settings.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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The M 4K RGB series offers 4K resolution with 3DLP technology and achieves 25,000 lumens brightness. Notably, it supports Rec. 2020 color space, providing a broader gamut than the standard Rec. 709, which is common in many laser phosphor projectors. This enhancement allows content creators greater flexibility in color reproduction, making it suitable for applications in museums and artistic installations.

In collaboration with Augmenta, Christie presented an immersive interactive environment. This space featured seven Inspire Series 1DLP projectors illuminating the floor and walls. Augmenta’s tracking technology enabled real-time interaction, allowing visitors to engage with dynamic content responsive to their movements. Such setups are increasingly popular in tourist attractions and educational exhibits, offering engaging experiences for diverse audiences.

Christie also introduced the Sapphire 4K40-RGBH projector, a hybrid system combining RGB pure laser and laser phosphor illumination. Delivering 36,400 lumens and native 4K resolution, it supports DCI-P3 color space and is versatile for both 2D and 3D applications, including front and rear projection. The hybrid illumination architecture provides flexibility across various screen types and formats.

The booth featured a projection mapping demonstration on a scaled-down Chinese temple façade, utilizing two Griffyn 4K50-RGB pure laser projectors. This display highlighted the projectors’ brightness and color capabilities, underscoring their suitability for large-scale projection mapping on structures like buildings and monuments.

Christie’s MicroTiles LED technology was showcased with a video wall combining multiple pixel pitches—0.75mm, 1.0mm, 1.25mm, and 1.5mm. This modular design allows for tailored installations based on viewing distances and offers an upgrade path by enabling future pixel pitch adjustments without altering the existing infrastructure. The system’s efficient heat management ensures durability and performance.

Additionally, the Jazz Series 1DLP projectors were displayed in a blended configuration, simulating a museum environment. Available in various resolutions and brightness levels, these projectors are designed to enhance exhibit engagement through dynamic visual presentations. Their compatibility with existing lens systems offers cost-effective solutions for diverse applications.

For more information on Christie’s offerings, visit https://www.christiedigital.com

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At Integrated Systems Europe (ISE) 2025, Disguise showcased its latest advancements in visual experience technology. Their booth featured an interactive wall powered by Disguise servers in conjunction with TouchDesigner. This setup utilized a LiDAR scanner to create touchless interactive exhibits, allowing attendees to engage with the display without physical contact.

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A notable demonstration was Disguise’s OmniCal system, designed for projection alignment. Using multiple projectors on a curved dome, the system employed various sensors to automate the alignment process, simplifying the setup for complex projections. This technology ensures precise calibration across diverse surfaces and shapes.

Disguise also highlighted its Designer software, central to many large-scale visual projects. An example presented was “The Hidden Forest,” an 18-projector interactive exhibit in Singapore. This installation leveraged Disguise’s RenderStream and TouchDesigner to deliver immersive experiences.

The booth showcased Disguise’s involvement in large-scale LED deployments, referencing projects like the LA Clippers Stadium’s Halo screen. These installations demonstrate Disguise’s capability to manage extensive LED configurations, delivering innovative visual content.

Disguise’s hardware offerings were on display, including their media servers that power high-quality visuals. The OmniCal system was featured, emphasizing its role in facilitating automated projection alignment for complex setups.

With over two decades in the industry, Disguise has evolved from supporting live events for artists like Massive Attack and U2 to expanding into virtual production, broadcast, and corporate installations. Their technology has been integral to projects such as the Burj Khalifa displays, Eurovision, and the Top of the Rock experience at Rockefeller Center.

A key strength of Disguise is its flexibility and integration capabilities. The platform is designed to be hardware-agnostic, working seamlessly with various systems and integrating with numerous software and hardware components. This adaptability allows creators to bring their visions to life without being constrained by specific technologies.

Disguise continues to push the boundaries of visual experiences, providing tools and systems that empower creators to deliver innovative and immersive content across a range of applications. Their presence at ISE 2025 underscored their commitment to advancing the field of visual technology.

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At ISE 2025 in Barcelona, Megapixel VR’s Ventana LED display tile platform was honored with AV Technology’s Best in Show award. Andrew Beaudet from Megapixel expressed enthusiasm about the event’s high attendance and the sustained interest in advanced LED technologies, even on the final day. He highlighted the industry’s focus on both LED tile innovations and processing advancements, particularly with Megapixel’s Helios processor.

The Helios processor has garnered significant attention from leading LED tile manufacturers. Companies such as Sony, LG, AOTO, Absen, Jupiter, Unilumin, and ROE Visual have integrated Helios into their displays at the show, underscoring its versatility and performance. This widespread adoption emphasizes the processor’s compatibility and the strong partnerships Megapixel has cultivated within the industry.

Megapixel’s proprietary Ventana tiles, designed for high-performance fixed installations, are available in both gloss and matte finishes with pixel pitches of 1.2mm and 0.8mm. The tiles feature a user-friendly design, utilizing magnetic attachments and pogo pins for electrical and data connections, allowing for rapid and straightforward assembly. This innovative approach enables the construction of LED walls efficiently, reducing installation time and complexity.

A notable feature of the Ventana tiles is their hot-swappable capability. Tiles can be removed and replaced seamlessly without disrupting the overall display. Once reattached, a tile undergoes a brief boot-up process, typically around 60 seconds, before resuming full functionality. This design ensures minimal downtime and maintenance flexibility.

Central to the Ventana system is the integration of Megapixel’s PX1 card, a tile-side processor that manages functions such as color calibration and registration directly within each tile. This decentralized processing approach reduces the load on the main Helios processor and allows the system’s processing power to scale with the addition of more tiles. As a display expands, each new tile contributes additional processing capacity, ensuring consistent performance across large installations.

At ISE 2025, Megapixel collaborated with partners like Hive and Crestron to showcase the Ventana tiles’ capabilities. The glossy finish was displayed at the Hive booth, while the matte version was featured at the Crestron booth. These demonstrations provided attendees with a comprehensive view of the tiles’ visual quality and versatility in different applications.

The Helios processor’s advanced features include native support for SMPTE ST 2110, enabling seamless integration into IP-based media environments. With a full 8K video pipeline, modular inputs, and fiber distribution capabilities, Helios is engineered to meet the demands of large-scale, high-resolution displays. Its design emphasizes resilience and reliability, incorporating dual-path redundancy and real-time health monitoring to ensure uninterrupted performance.

Megapixel’s commitment to innovation is further evidenced by their ongoing projects, such as a significant installation in Manhattan. This project involves deploying 16 Helios processors to drive an extensive LED display in a corporate lobby, highlighting the system’s scalability and suitability for large, high-profile installations. The combination of Ventana tiles and Helios processing technology positions Megapixel at the forefront of the LED display industry, offering solutions that are both technically advanced and user-centric.

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At ISE 2025, NETGEAR AV is showcasing its latest advancements in AV over IP technology, emphasizing the integration of SMPTE ST 2110 and IPMX standards. Their AV line switches are designed to support both broadcast-grade synchronization and commercial AV applications, facilitating hybrid networks that cater to diverse environments such as live entertainment events and enterprise studios. This versatility ensures seamless handling of various AV over IP protocols, including NDI and AES67.

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A key consideration in deploying SMPTE ST 2110 and IPMX is network clocking. For broadcast applications requiring precise timing, protocols like SMPTE ST 2110 or IPMX are essential. In contrast, commercial AV applications or audio over IP might utilize protocols such as AES67 or Dante, which have different clocking requirements. Netgear’s solutions adeptly manage both scenarios, offering flexibility in network design.

Netgear’s Engage 2.0 software revolutionizes AV network configuration and management by providing a centralized and user-friendly interface with powerful capabilities. New in version 2.0 is the addition of managing the Netgear Pro Router and WiFi 7 access points for seamless configuration and management.

The M4350 series of switches, including models with SMPTE ST 2110 support, exemplify Netgear’s commitment to advancing AV over IP technology. These switches are engineered to simplify and enhance AV over IP deployments, ensuring unparalleled performance and reliability.

Netgear’s Engage 2.0 software further enhances network management by providing a centralized and user-friendly interface with powerful capabilities. New in version 2.0 is the addition of managing the Netgear Pro Router and WiFi 7 access points for seamless configuration and management.

The company has also expanded its Pro AV Design Team to assist with pre-installation network design, product selection, and troubleshooting, ensuring optimal deployment of AV over IP solutions. This support is crucial for integrators managing large-scale installations, such as deploying numerous meeting rooms, where automation and efficient network management are paramount.

Netgear’s commitment to interoperability is evident in its collaboration with over 370 certified manufacturing partners. At ISE 2025, more than 200 booths feature Netgear switches, underscoring the industry’s trust in their solutions. This widespread adoption highlights Netgear’s role in simplifying AV over IP deployments, allowing manufacturers to focus on their core technologies.

In addition to wired solutions, Netgear is introducing WiFi 7 access points, such as the WBE718 and WBE758, designed for integration into AV installations. These access points offer multi-gigabit speeds, low latency, and exceptional device density, making them ideal for large venues and high-traffic environments. They can be utilized for control interfaces or as access points in meeting rooms, enhancing the flexibility and scalability of AV networks.

Netgear’s comprehensive approach to AV over IP networking, encompassing advanced switching solutions, robust management software, and extensive partner collaborations, positions them as a leader in the industry. Their focus on simplifying deployments and providing expert support empowers integrators to deliver high-quality, reliable AV experiences across various applications.

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TCL CSOT has introduced an innovative display solution known as Multi-LCD (MLCD), which integrates multiple LCD panels with micro-LED light strips to create expansive, unified screens.his approach allows for the seamless combination of three or more LCD panels, resulting in displays that can exceed 150 inches in size.he MLCD technology achieves a resolution of 6K by 4K, delivering high-definition visuals suitable for various applications.

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A key aspect of MLCD is its ability to maintain minimal separation between panels, creating a virtually uninterrupted viewing experience.he integration of micro-LED light strips enhances brightness and color uniformity across the entire display.his design ensures that even at close viewing distances, the transitions between panels are nearly imperceptible, providing a cohesive visual output.
he pixel density of the micro-LED strips is approximately 0.9 mm, while the LCD panels themselves have a pixel density of about 0.4 mm.fforts are underway to match these densities more closely, which would further minimize any visible differences and enhance the overall display quality.his alignment is crucial for applications requiring high visual fidelity, ensuring a consistent and immersive viewing experience.

In terms of brightness, the current MLCD displays achieve around 500 nits, with potential for higher brightness levels depending on specific requirements.ach LCD panel used in the MLCD setup measures approximately 86 inches, though there is flexibility to utilize larger panels, such as 100 or 110 inches, to create even more substantial displays.his scalability makes MLCD technology adaptable to various settings, from commercial venues to large-scale events.

The MLCD technology is currently in mass production and available globally, reflecting TCL CSOT’s commitment to delivering advanced display solutions worldwide.he company has introduced the APEX technology brand, which encompasses MLCD among other display innovations.PEX focuses on providing pleasant display experiences, reliable vision health, and sustainable, eco-friendly solutions, aligning with modern demands for both performance and environmental responsibility.

By leveraging MLCD technology, TCL CSOT offers a cost-effective alternative to traditional micro-LED displays.he combination of multiple LCD panels with micro-LED light strips not only reduces production costs but also allows for the creation of larger displays without the prohibitive expenses associated with full micro-LED setups.his approach democratizes access to large-format, high-resolution displays across various industries.

The modular nature of MLCD displays provides significant flexibility in design and installation.sers can customize the size and configuration of the display to meet specific spatial and functional requirements.his adaptability makes MLCD suitable for a wide range of applications, including digital signage, control rooms, and immersive entertainment experiences.
CL CSOT’s development of MLCD technology represents a significant advancement in the display industry.y combining multiple LCD panels with micro-LED light strips, the company has created a scalable, high-resolution display solution that meets the growing demand for large-format screens.his innovation underscores TCL CSOT’s role as a leader in display technology, continually pushing the boundaries to deliver cutting-edge solutions.

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At ISE 2025, LANG AG unveiled a series of cutting-edge audiovisual technologies, highlighting their commitment to innovation in the AV industry. A standout feature at their booth was the MUXWAVE M3, a transparent LED installation with a 3.9 mm pixel pitch and 50% transparency, seamlessly integrated onto a metal mesh. This setup, showcased in a captivating waterfall display, offers brightness levels up to 4,000 nits and is available in 2.5 mm and 6.2 mm pixel pitches. Its versatility allows for direct application on glass or within custom frames, catering to both rental and permanent installations.

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Adjacent to this, LANG presented the LEDgend series, featuring a 1.2 mm pixel pitch display utilizing advanced Chip-on-Board (COB) technology. This innovation moves away from traditional SMD configurations, offering enhanced durability and visual performance. The display operates on NovaStar processing, ensuring minimal heat emission and superior image quality, with brightness levels reaching 1,200 nits.

In the realm of interactive displays, LANG showcased the Jupiter Pana X, a 105-inch, 21:9 aspect ratio touch display. Designed for conference rooms and collaborative environments, this display supports interactive applications, exemplified by an engaging AV quiz at the booth. Its expansive screen and touch capabilities make it ideal for dynamic presentations and educational settings.

Demonstrating flexibility in LED technology, the CUV P 1.56 Flex product was introduced, capable of both concave and convex curvatures. Employing COB technology, this display features a 1.56 mm pixel pitch and achieves brightness up to 1,000 nits. The innovative design includes magnetic frames, allowing for customizable configurations to suit various architectural and design requirements.

On the projection front, LANG highlighted the Panasonic PT-REQ15, a 1-Chip DLP™ projector delivering 15,000 lumens with native WUXGA resolution, enhanced to 4K through Quad Pixel Drive technology. Additionally, the Barco QDX-4K45 projector was featured, offering an impressive 41,000 lumens and supporting bandwidths up to 8K at 60 Hz or 4K at 240 Hz, ensuring ultra-smooth and razor-sharp visuals.

LANG’s Drone & Robotics Arena in Hall 8.1 provided insights into the integration of drones and robotics in AV applications. Collaborating with industry leaders, LANG demonstrated how synchronized drone shows can create dynamic visual experiences. Their partnership with UVify showcased the IFO drones, capable of executing complex aerial displays, with current operations involving up to 700 drones simultaneously.

Further emphasizing their expertise in image processing, LANG featured the Panasonic AK-UCX100 camera, a new 4K flagship model compatible with SMPTE ST 2110, JPEG-XS compression, and NDI capability directly on the camera head. This addition underscores LANG’s commitment to providing state-of-the-art solutions for broadcasting and live events.

For more information on these innovations and other offerings, visit LANG AG’s official website: https://www.lang-ag.com/en/home/

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At ISE 2025, the Alliance for IP Media Solutions (AIMS) showcased a range of IPMX products from various companies, encompassing both hardware and software solutions. These demonstrations highlighted the integration of SMPTE ST 2110 and IPMX standards, as well as AES67 for audio applications. One notable exhibit featured a device converting HDBaseT camera feeds into IPMX IP streams, illustrating the seamless transition from traditional AV interfaces to IP-based systems.

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IPMX, or Internet Protocol Media Experience, is a comprehensive suite of media transport standards and specifications designed to facilitate the transmission of audio, video, and ancillary data over IP-based media networks. This framework supports both uncompressed and compressed media formats, accommodating various network conditions and ensuring high synchronization accuracy. The flexibility of IPMX allows for tailored implementations, ranging from highly synchronized systems utilizing precision time protocol (PTP) to more straightforward setups using standard network switches.

A key advantage of the IPMX ecosystem is its emphasis on interoperability. By adhering to open standards, IPMX ensures that products from different manufacturers can seamlessly communicate and operate together. This interoperability extends to control systems as well; for instance, NMOS (Networked Media Open Specifications) controllers from various brands can manage IPMX devices across the network, streamlining system integration and operation.

The AIMS booth featured several compelling demonstrations. One showcased software-based IPMX implementations, where standard computing hardware utilized software to handle IPMX transmissions, underscoring the adaptability of IPMX in leveraging existing IT infrastructure. Another display highlighted the compatibility between IPMX and AES67 audio standards, demonstrating seamless audio integration within IP-based media systems.

Hardware solutions were also prominent. Companies presented IPMX encoder and decoder appliances, including multi-channel configurations, catering to diverse professional AV requirements. The exhibition included IPMX-capable PCIe cards designed for high-bandwidth signal processing within computer systems, ensuring precise synchronization and efficient media handling.

An innovative example was a Panasonic display equipped with a Smart Display Module (SDM) supporting direct IP input. This setup eliminated the need for traditional HDMI cables, as IP streams were fed directly into the monitor, simplifying installation and reducing potential points of failure.

The development and promotion of IPMX involve collaboration among several key organizations. The Video Services Forum (VSF) focuses on documenting technical specifications, having originated the TR-03 specifications that evolved into SMPTE ST 2110. AIMS serves as a market-focused entity, providing education, conducting demonstrations, and gathering industry feedback to guide future priorities. The Advanced Media Workflow Association (AMWA) develops specifications for control protocols, such as NMOS, which play a crucial role in the interoperability and management of IP-based media systems.

The AIMS booth also featured products from companies like Macnica and Nextera, which offer development tools, including hardware boards and software development kits (SDKs), to assist manufacturers in creating IPMX-compliant products. These resources are instrumental in accelerating the adoption and implementation of IPMX standards across the industry.

The ongoing development of IPMX reflects a concerted effort to create a unified, scalable, and easily deployable AV-over-IP standard. By building upon established protocols like SMPTE ST 2110 and incorporating features tailored to professional AV applications, IPMX aims to provide a flexible and interoperable framework that meets the evolving needs of the industry.

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At Integrated Systems Europe ISE 2025 in Barcelona, Interactive Scape’s Hauke Helmer introduced their latest innovation, Scape X®. This technology leverages projected capacitive (PCAP) sensors to detect not only touch inputs but also objects and smartphones placed on the display. The system identifies devices based on their unique capacitive signatures, allowing for seamless interaction without any modifications to the devices themselves.

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A notable demonstration involved scanning a visitor’s badge to instantly retrieve and display their contact information on the screen. This capability extends to sharing digital content; for instance, placing a company brochure on the display enables immediate transfer of the document to a connected device, streamlining information exchange during events.

The core of Scape X® is its AI-driven recognition system, which processes data from the PCAP sensors to distinguish between various shapes and objects. Unlike traditional gesture-based systems, Scape X® can identify up to 24 different passive object IDs and over 100 simultaneous touch points, including transparent objects. This advanced object recognition facilitates unique interactions and applications across multiple sectors.

Interactive Scape offers a range of hardware solutions, including multitouch tables and displays, all powered by Scape X®. These devices are designed for durability and versatility, making them suitable for various applications. Integration is simplified through the TUIO API, allowing developers to create customized applications that leverage the full potential of the hardware and object recognition capabilities.

In collaboration with partners like DISPLAX, Interactive Scape is exploring new form factors, such as round displays, to offer more playful and engaging user experiences. These prototypes aim to push the boundaries of interactive technology, providing innovative solutions for diverse use cases.

The company also showcased applications like a magnification tool, where users can place an object on the display to zoom into detailed images, such as a map of Barcelona’s harbor. This feature demonstrates the system’s ability to handle complex gestures and provide intuitive user interactions.

Interactive Scape’s business model focuses on providing the hardware and recognition technology, while partnering with other companies for application development and integration. This collaborative approach allows them to offer comprehensive solutions tailored to specific client needs across various industries.

Based in Berlin, Germany, Interactive Scape has established a global partner network to distribute and support their products worldwide. This network enables them to deliver localized solutions and services, ensuring that clients receive the best possible support and expertise in implementing interactive technologies.

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At ISE 2025, 7thSense is showcasing its latest advancements in media playback, pixel processing, and show control technologies. Their exhibit features the R-Series and P-Series media servers, Juggler pixel processors, and Medialon show control systems, designed to deliver high-resolution, uncompressed media playback for large-scale installations. These solutions are ideal for themed entertainment attractions, museums, and other venues requiring precise pixel management. https://7thsense.one

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A major highlight is 7thSense’s involvement with the Sphere in Las Vegas, where their technology powers the interior screen’s enormous 16,000 x 16,000 resolution. Every pixel is processed through the Juggler pixel processor, ensuring accurate delivery to the LED displays. This project demonstrates the company’s ability to handle ultra-large visual environments, integrating their media servers with ST 2110 to allow content input from production trucks and other external sources.

At their ISE booth, 7thSense is demonstrating real-time reactive projection mapping on moving objects. Utilizing motion capture cameras and infrared markers, their media servers track and project onto these objects at an impressive 240 frames per second. This setup pushes the boundaries of interactive storytelling, enabling projection mapping to dynamically adapt to moving surfaces in ways that were previously only possible with static objects like buildings.

The P-Series 6 media server is another focal point, delivering 60 frames per second, 10-bit media playback on high-resolution displays. Supporting up to four ultra-high-resolution video outputs, it ensures flawless synchronization through genlock and framelock, making it ideal for demanding applications in museums, live events, and immersive attractions. The compact 2U form factor allows for powerful performance in a space-efficient design.

7thSense’s technology ecosystem includes the R-Series 10 and P-Series 6 media servers, the Juggler pixel processor, and Medialon show control systems. Medialon Manager software, running on Showmaster hardware, enables precise control of audiovisual equipment, lighting, and IT systems, ensuring cohesive and interactive show experiences with seamless timing and automation.

To enhance their offerings, 7thSense collaborates with industry leaders. At ISE 2025, they are partnering with Sony, Scalable Display Technologies, SiliconCore, and Target3D to integrate their technologies into a unified experience. Their products are also showcased at partner stands, including Absen, Peerless-AV, and Sony, highlighting their versatility and wide adoption in the industry.

Their solutions are widely used by systems integrators for themed entertainment, museum applications, and live shows. From large-scale projection mapping to nighttime spectaculars, their technology provides reliable, high-quality media playback and control systems that bring immersive environments to life.

Recognizing their contributions to the industry, 7thSense’s P-Series 6 media server received the ISE 2025 Best of Show Award in the Sound & Video Contractor category. This award underscores the company’s role in advancing media server technology, reinforcing its reputation for delivering cutting-edge solutions in high-end visual experiences.

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At ISE 2025 in Barcelona, CreateLED showcased their latest advancements in LED display technology, emphasizing their 163-inch home cinema solution. This display utilizes high-end micronet technology, integrated with proprietary control and color processing systems, delivering a 4K resolution with a pixel pitch of 0.9 mm. The result is a high-quality image with clear texture representation, high contrast ratio, and vivid colors that exceed the DCI-P3 color gamut. This innovation allows users to enjoy exceptional entertainment experiences in bright, open spaces, moving beyond the limitations of traditional darkened rooms. https://www.createled.com

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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In collaboration with Goldmund, a Swiss pioneer in high-end audio systems, CreateLED’s booth featured Goldmund’s flagship speakers, known for their advanced active speaker technology and exquisite design. This partnership highlights the synergy between superior visual and audio experiences, aiming to redefine home entertainment standards. With Goldmund’s ultra-premium sound systems, which can cost up to a million dollars per set, the booth provided an immersive demonstration of what the future of high-end home cinema could look like.

CreateLED also introduced their latest technology for broadcasting and virtual production, the RGBY LED display. By adding a fourth color to the traditional RGB setup, this display achieves a color space exceeding 150% of the DCI-P3 standard, making it suitable for applications requiring precise color representation, such as film shooting. Optimized for use in Hollywood-style productions, this display ensures accurate and consistent color reproduction, making it an excellent choice for filmmakers and content creators who demand the highest visual quality.

Additionally, CreateLED presented their Outdoor C solution, designed for versatile applications in both indoor and outdoor settings. With a brightness of approximately 3,000 nits and a pixel pitch as low as 1.5 mm, this display is suitable for various installation types, including fixed and rental setups. It provides an ultra-clear image, even in brightly lit environments, making it an excellent choice for large-scale digital signage and outdoor advertising.

For conference and educational applications, CreateLED showcased an all-in-one display featuring interactive touch functions. This modular display is designed for easy assembly and offers enhanced engagement through its interactive capabilities. Whether used for corporate presentations, classroom settings, or collaborative environments, the touch-enabled screen enhances user interaction and productivity.

With over 20 years of experience since its founding in 2004, CreateLED, headquartered in Shenzhen, has established itself as a leader in the LED display industry. Their products are compatible with various control systems, including Novastar, Brompton, and Megapixel, and they also offer their own proprietary control system, ChromaLED. This flexibility allows their displays to be integrated seamlessly into a wide range of professional and consumer applications.

At ISE 2025, CreateLED’s innovations, particularly in home cinema and broadcasting displays, demonstrate their commitment to advancing LED technology and providing high-quality visual solutions for diverse applications. Their ability to push the boundaries of display technology while maintaining top-tier performance ensures their continued relevance in the high-end AV industry.

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At ISE 2025 in Barcelona, ROE Visual presented an array of advanced LED display technologies, highlighting their commitment to innovation in the audiovisual sector. A notable feature was the AR Artmor display, an architectural product from their sister company, SEO, which integrates customizable front covers with an LED backdrop. This design allows for various textures and surfaces, enabling hidden imagery to emerge dynamically.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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The booth’s layout showcased a seamless integration of products, starting with the Artmor display transitioning into the Jet series. Attendees walked through a tunnel illuminated by the ROE Strip, with the new BM2i interactive LED floor enhancing the experience. This setup demonstrated the versatility and cohesive design of ROE Visual’s product lineup.

Central to the exhibit was the Topaz 2.6 Curve, a product tailored for live events and touring. Its natural curvature eliminates visible facets, offering a smooth visual experience. The panel supports adjustable angles from -5 to +15 degrees, providing flexibility in design. Additionally, the Vanish Solid Touring series was displayed, designed for outdoor applications like festivals and arena tours, emphasizing durability and performance.

For fixed installations, the Coral 1.2 LED panel was introduced, utilizing Chip on Board (COB) technology. In COB, LEDs are built directly into the PCB substrate, enhancing power efficiency, heat dissipation, and brightness. This design is particularly suited for corporate and broadcast environments, offering high contrast and color accuracy.

The Topaz series also featured the Cube panel, enabling the creation of seamless corners due to its chamfered PCB and chassis design. This modularity allows for combining flat, curved, and cube panels, ensuring a cohesive and adaptable display system.

A highlight was the Denali 0.7 MIP (Micro LED In Package) display, achieving a 4K resolution with a 0.7 mm pixel pitch. Each diode measures less than 100 microns, pushing the boundaries of LED technology. This advancement suggests potential future applications in home theater systems as the technology becomes more accessible.

The booth also showcased the Sierra 1.2 mm pixel pitch display, aimed at corporate and broadcast settings. This product offers full HD resolution and shares brightness capabilities with the Denali series, ensuring vibrant and clear visuals.

ROE Visual’s global presence includes headquarters in Shenzhen, China, with offices across North America, Europe, Australia, Japan, and the Middle East. Recognized as a leader in the rental market for live events and broadcast sectors, the company is now venturing into architectural applications with innovative products like the Artmor display. This expansion opens new possibilities for architects and interior designers to incorporate dynamic LED elements into their projects.

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This video was filmed using the DJI Pocket 3 ($669 at https://amzn.to/4aMpKIC using the dual wireless DJI Mic 2 microphones with the DJI lapel microphone https://amzn.to/3XIj3l8 ), watch all my DJI Pocket 3 videos here https://www.youtube.com/playlist?list=PL7xXqJFxvYvhDlWIAxm_pR9dp7ArSkhKK

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