At Integrated Systems Europe (ISE) 2025, Disguise showcased its latest advancements in visual experience technology. Their booth featured an interactive wall powered by Disguise servers in conjunction with TouchDesigner. This setup utilized a LiDAR scanner to create touchless interactive exhibits, allowing attendees to engage with the display without physical contact.

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A notable demonstration was Disguise’s OmniCal system, designed for projection alignment. Using multiple projectors on a curved dome, the system employed various sensors to automate the alignment process, simplifying the setup for complex projections. This technology ensures precise calibration across diverse surfaces and shapes.

Disguise also highlighted its Designer software, central to many large-scale visual projects. An example presented was “The Hidden Forest,” an 18-projector interactive exhibit in Singapore. This installation leveraged Disguise’s RenderStream and TouchDesigner to deliver immersive experiences.

The booth showcased Disguise’s involvement in large-scale LED deployments, referencing projects like the LA Clippers Stadium’s Halo screen. These installations demonstrate Disguise’s capability to manage extensive LED configurations, delivering innovative visual content.

Disguise’s hardware offerings were on display, including their media servers that power high-quality visuals. The OmniCal system was featured, emphasizing its role in facilitating automated projection alignment for complex setups.

With over two decades in the industry, Disguise has evolved from supporting live events for artists like Massive Attack and U2 to expanding into virtual production, broadcast, and corporate installations. Their technology has been integral to projects such as the Burj Khalifa displays, Eurovision, and the Top of the Rock experience at Rockefeller Center.

A key strength of Disguise is its flexibility and integration capabilities. The platform is designed to be hardware-agnostic, working seamlessly with various systems and integrating with numerous software and hardware components. This adaptability allows creators to bring their visions to life without being constrained by specific technologies.

Disguise continues to push the boundaries of visual experiences, providing tools and systems that empower creators to deliver innovative and immersive content across a range of applications. Their presence at ISE 2025 underscored their commitment to advancing the field of visual technology.

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At ISE 2025 in Barcelona, Megapixel VR’s Ventana LED display tile platform was honored with AV Technology’s Best in Show award. Andrew Beaudet from Megapixel expressed enthusiasm about the event’s high attendance and the sustained interest in advanced LED technologies, even on the final day. He highlighted the industry’s focus on both LED tile innovations and processing advancements, particularly with Megapixel’s Helios processor.

The Helios processor has garnered significant attention from leading LED tile manufacturers. Companies such as Sony, LG, AOTO, Absen, Jupiter, Unilumin, and ROE Visual have integrated Helios into their displays at the show, underscoring its versatility and performance. This widespread adoption emphasizes the processor’s compatibility and the strong partnerships Megapixel has cultivated within the industry.

Megapixel’s proprietary Ventana tiles, designed for high-performance fixed installations, are available in both gloss and matte finishes with pixel pitches of 1.2mm and 0.8mm. The tiles feature a user-friendly design, utilizing magnetic attachments and pogo pins for electrical and data connections, allowing for rapid and straightforward assembly. This innovative approach enables the construction of LED walls efficiently, reducing installation time and complexity.

A notable feature of the Ventana tiles is their hot-swappable capability. Tiles can be removed and replaced seamlessly without disrupting the overall display. Once reattached, a tile undergoes a brief boot-up process, typically around 60 seconds, before resuming full functionality. This design ensures minimal downtime and maintenance flexibility.

Central to the Ventana system is the integration of Megapixel’s PX1 card, a tile-side processor that manages functions such as color calibration and registration directly within each tile. This decentralized processing approach reduces the load on the main Helios processor and allows the system’s processing power to scale with the addition of more tiles. As a display expands, each new tile contributes additional processing capacity, ensuring consistent performance across large installations.

At ISE 2025, Megapixel collaborated with partners like Hive and Crestron to showcase the Ventana tiles’ capabilities. The glossy finish was displayed at the Hive booth, while the matte version was featured at the Crestron booth. These demonstrations provided attendees with a comprehensive view of the tiles’ visual quality and versatility in different applications.

The Helios processor’s advanced features include native support for SMPTE ST 2110, enabling seamless integration into IP-based media environments. With a full 8K video pipeline, modular inputs, and fiber distribution capabilities, Helios is engineered to meet the demands of large-scale, high-resolution displays. Its design emphasizes resilience and reliability, incorporating dual-path redundancy and real-time health monitoring to ensure uninterrupted performance.

Megapixel’s commitment to innovation is further evidenced by their ongoing projects, such as a significant installation in Manhattan. This project involves deploying 16 Helios processors to drive an extensive LED display in a corporate lobby, highlighting the system’s scalability and suitability for large, high-profile installations. The combination of Ventana tiles and Helios processing technology positions Megapixel at the forefront of the LED display industry, offering solutions that are both technically advanced and user-centric.

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At ISE 2025, NETGEAR AV is showcasing its latest advancements in AV over IP technology, emphasizing the integration of SMPTE ST 2110 and IPMX standards. Their AV line switches are designed to support both broadcast-grade synchronization and commercial AV applications, facilitating hybrid networks that cater to diverse environments such as live entertainment events and enterprise studios. This versatility ensures seamless handling of various AV over IP protocols, including NDI and AES67.

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A key consideration in deploying SMPTE ST 2110 and IPMX is network clocking. For broadcast applications requiring precise timing, protocols like SMPTE ST 2110 or IPMX are essential. In contrast, commercial AV applications or audio over IP might utilize protocols such as AES67 or Dante, which have different clocking requirements. Netgear’s solutions adeptly manage both scenarios, offering flexibility in network design.

Netgear’s Engage 2.0 software revolutionizes AV network configuration and management by providing a centralized and user-friendly interface with powerful capabilities. New in version 2.0 is the addition of managing the Netgear Pro Router and WiFi 7 access points for seamless configuration and management.

The M4350 series of switches, including models with SMPTE ST 2110 support, exemplify Netgear’s commitment to advancing AV over IP technology. These switches are engineered to simplify and enhance AV over IP deployments, ensuring unparalleled performance and reliability.

Netgear’s Engage 2.0 software further enhances network management by providing a centralized and user-friendly interface with powerful capabilities. New in version 2.0 is the addition of managing the Netgear Pro Router and WiFi 7 access points for seamless configuration and management.

The company has also expanded its Pro AV Design Team to assist with pre-installation network design, product selection, and troubleshooting, ensuring optimal deployment of AV over IP solutions. This support is crucial for integrators managing large-scale installations, such as deploying numerous meeting rooms, where automation and efficient network management are paramount.

Netgear’s commitment to interoperability is evident in its collaboration with over 370 certified manufacturing partners. At ISE 2025, more than 200 booths feature Netgear switches, underscoring the industry’s trust in their solutions. This widespread adoption highlights Netgear’s role in simplifying AV over IP deployments, allowing manufacturers to focus on their core technologies.

In addition to wired solutions, Netgear is introducing WiFi 7 access points, such as the WBE718 and WBE758, designed for integration into AV installations. These access points offer multi-gigabit speeds, low latency, and exceptional device density, making them ideal for large venues and high-traffic environments. They can be utilized for control interfaces or as access points in meeting rooms, enhancing the flexibility and scalability of AV networks.

Netgear’s comprehensive approach to AV over IP networking, encompassing advanced switching solutions, robust management software, and extensive partner collaborations, positions them as a leader in the industry. Their focus on simplifying deployments and providing expert support empowers integrators to deliver high-quality, reliable AV experiences across various applications.

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TCL CSOT has introduced an innovative display solution known as Multi-LCD (MLCD), which integrates multiple LCD panels with micro-LED light strips to create expansive, unified screens.his approach allows for the seamless combination of three or more LCD panels, resulting in displays that can exceed 150 inches in size.he MLCD technology achieves a resolution of 6K by 4K, delivering high-definition visuals suitable for various applications.

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A key aspect of MLCD is its ability to maintain minimal separation between panels, creating a virtually uninterrupted viewing experience.he integration of micro-LED light strips enhances brightness and color uniformity across the entire display.his design ensures that even at close viewing distances, the transitions between panels are nearly imperceptible, providing a cohesive visual output.
he pixel density of the micro-LED strips is approximately 0.9 mm, while the LCD panels themselves have a pixel density of about 0.4 mm.fforts are underway to match these densities more closely, which would further minimize any visible differences and enhance the overall display quality.his alignment is crucial for applications requiring high visual fidelity, ensuring a consistent and immersive viewing experience.

In terms of brightness, the current MLCD displays achieve around 500 nits, with potential for higher brightness levels depending on specific requirements.ach LCD panel used in the MLCD setup measures approximately 86 inches, though there is flexibility to utilize larger panels, such as 100 or 110 inches, to create even more substantial displays.his scalability makes MLCD technology adaptable to various settings, from commercial venues to large-scale events.

The MLCD technology is currently in mass production and available globally, reflecting TCL CSOT’s commitment to delivering advanced display solutions worldwide.he company has introduced the APEX technology brand, which encompasses MLCD among other display innovations.PEX focuses on providing pleasant display experiences, reliable vision health, and sustainable, eco-friendly solutions, aligning with modern demands for both performance and environmental responsibility.

By leveraging MLCD technology, TCL CSOT offers a cost-effective alternative to traditional micro-LED displays.he combination of multiple LCD panels with micro-LED light strips not only reduces production costs but also allows for the creation of larger displays without the prohibitive expenses associated with full micro-LED setups.his approach democratizes access to large-format, high-resolution displays across various industries.

The modular nature of MLCD displays provides significant flexibility in design and installation.sers can customize the size and configuration of the display to meet specific spatial and functional requirements.his adaptability makes MLCD suitable for a wide range of applications, including digital signage, control rooms, and immersive entertainment experiences.
CL CSOT’s development of MLCD technology represents a significant advancement in the display industry.y combining multiple LCD panels with micro-LED light strips, the company has created a scalable, high-resolution display solution that meets the growing demand for large-format screens.his innovation underscores TCL CSOT’s role as a leader in display technology, continually pushing the boundaries to deliver cutting-edge solutions.

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At ISE 2025, LANG AG unveiled a series of cutting-edge audiovisual technologies, highlighting their commitment to innovation in the AV industry. A standout feature at their booth was the MUXWAVE M3, a transparent LED installation with a 3.9 mm pixel pitch and 50% transparency, seamlessly integrated onto a metal mesh. This setup, showcased in a captivating waterfall display, offers brightness levels up to 4,000 nits and is available in 2.5 mm and 6.2 mm pixel pitches. Its versatility allows for direct application on glass or within custom frames, catering to both rental and permanent installations.

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Adjacent to this, LANG presented the LEDgend series, featuring a 1.2 mm pixel pitch display utilizing advanced Chip-on-Board (COB) technology. This innovation moves away from traditional SMD configurations, offering enhanced durability and visual performance. The display operates on NovaStar processing, ensuring minimal heat emission and superior image quality, with brightness levels reaching 1,200 nits.

In the realm of interactive displays, LANG showcased the Jupiter Pana X, a 105-inch, 21:9 aspect ratio touch display. Designed for conference rooms and collaborative environments, this display supports interactive applications, exemplified by an engaging AV quiz at the booth. Its expansive screen and touch capabilities make it ideal for dynamic presentations and educational settings.

Demonstrating flexibility in LED technology, the CUV P 1.56 Flex product was introduced, capable of both concave and convex curvatures. Employing COB technology, this display features a 1.56 mm pixel pitch and achieves brightness up to 1,000 nits. The innovative design includes magnetic frames, allowing for customizable configurations to suit various architectural and design requirements.

On the projection front, LANG highlighted the Panasonic PT-REQ15, a 1-Chip DLP™ projector delivering 15,000 lumens with native WUXGA resolution, enhanced to 4K through Quad Pixel Drive technology. Additionally, the Barco QDX-4K45 projector was featured, offering an impressive 41,000 lumens and supporting bandwidths up to 8K at 60 Hz or 4K at 240 Hz, ensuring ultra-smooth and razor-sharp visuals.

LANG’s Drone & Robotics Arena in Hall 8.1 provided insights into the integration of drones and robotics in AV applications. Collaborating with industry leaders, LANG demonstrated how synchronized drone shows can create dynamic visual experiences. Their partnership with UVify showcased the IFO drones, capable of executing complex aerial displays, with current operations involving up to 700 drones simultaneously.

Further emphasizing their expertise in image processing, LANG featured the Panasonic AK-UCX100 camera, a new 4K flagship model compatible with SMPTE ST 2110, JPEG-XS compression, and NDI capability directly on the camera head. This addition underscores LANG’s commitment to providing state-of-the-art solutions for broadcasting and live events.

For more information on these innovations and other offerings, visit LANG AG’s official website: https://www.lang-ag.com/en/home/

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At ISE 2025, the Alliance for IP Media Solutions (AIMS) showcased a range of IPMX products from various companies, encompassing both hardware and software solutions. These demonstrations highlighted the integration of SMPTE ST 2110 and IPMX standards, as well as AES67 for audio applications. One notable exhibit featured a device converting HDBaseT camera feeds into IPMX IP streams, illustrating the seamless transition from traditional AV interfaces to IP-based systems.

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IPMX, or Internet Protocol Media Experience, is a comprehensive suite of media transport standards and specifications designed to facilitate the transmission of audio, video, and ancillary data over IP-based media networks. This framework supports both uncompressed and compressed media formats, accommodating various network conditions and ensuring high synchronization accuracy. The flexibility of IPMX allows for tailored implementations, ranging from highly synchronized systems utilizing precision time protocol (PTP) to more straightforward setups using standard network switches.

A key advantage of the IPMX ecosystem is its emphasis on interoperability. By adhering to open standards, IPMX ensures that products from different manufacturers can seamlessly communicate and operate together. This interoperability extends to control systems as well; for instance, NMOS (Networked Media Open Specifications) controllers from various brands can manage IPMX devices across the network, streamlining system integration and operation.

The AIMS booth featured several compelling demonstrations. One showcased software-based IPMX implementations, where standard computing hardware utilized software to handle IPMX transmissions, underscoring the adaptability of IPMX in leveraging existing IT infrastructure. Another display highlighted the compatibility between IPMX and AES67 audio standards, demonstrating seamless audio integration within IP-based media systems.

Hardware solutions were also prominent. Companies presented IPMX encoder and decoder appliances, including multi-channel configurations, catering to diverse professional AV requirements. The exhibition included IPMX-capable PCIe cards designed for high-bandwidth signal processing within computer systems, ensuring precise synchronization and efficient media handling.

An innovative example was a Panasonic display equipped with a Smart Display Module (SDM) supporting direct IP input. This setup eliminated the need for traditional HDMI cables, as IP streams were fed directly into the monitor, simplifying installation and reducing potential points of failure.

The development and promotion of IPMX involve collaboration among several key organizations. The Video Services Forum (VSF) focuses on documenting technical specifications, having originated the TR-03 specifications that evolved into SMPTE ST 2110. AIMS serves as a market-focused entity, providing education, conducting demonstrations, and gathering industry feedback to guide future priorities. The Advanced Media Workflow Association (AMWA) develops specifications for control protocols, such as NMOS, which play a crucial role in the interoperability and management of IP-based media systems.

The AIMS booth also featured products from companies like Macnica and Nextera, which offer development tools, including hardware boards and software development kits (SDKs), to assist manufacturers in creating IPMX-compliant products. These resources are instrumental in accelerating the adoption and implementation of IPMX standards across the industry.

The ongoing development of IPMX reflects a concerted effort to create a unified, scalable, and easily deployable AV-over-IP standard. By building upon established protocols like SMPTE ST 2110 and incorporating features tailored to professional AV applications, IPMX aims to provide a flexible and interoperable framework that meets the evolving needs of the industry.

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At Integrated Systems Europe ISE 2025 in Barcelona, Interactive Scape’s Hauke Helmer introduced their latest innovation, Scape X®. This technology leverages projected capacitive (PCAP) sensors to detect not only touch inputs but also objects and smartphones placed on the display. The system identifies devices based on their unique capacitive signatures, allowing for seamless interaction without any modifications to the devices themselves.

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A notable demonstration involved scanning a visitor’s badge to instantly retrieve and display their contact information on the screen. This capability extends to sharing digital content; for instance, placing a company brochure on the display enables immediate transfer of the document to a connected device, streamlining information exchange during events.

The core of Scape X® is its AI-driven recognition system, which processes data from the PCAP sensors to distinguish between various shapes and objects. Unlike traditional gesture-based systems, Scape X® can identify up to 24 different passive object IDs and over 100 simultaneous touch points, including transparent objects. This advanced object recognition facilitates unique interactions and applications across multiple sectors.

Interactive Scape offers a range of hardware solutions, including multitouch tables and displays, all powered by Scape X®. These devices are designed for durability and versatility, making them suitable for various applications. Integration is simplified through the TUIO API, allowing developers to create customized applications that leverage the full potential of the hardware and object recognition capabilities.

In collaboration with partners like DISPLAX, Interactive Scape is exploring new form factors, such as round displays, to offer more playful and engaging user experiences. These prototypes aim to push the boundaries of interactive technology, providing innovative solutions for diverse use cases.

The company also showcased applications like a magnification tool, where users can place an object on the display to zoom into detailed images, such as a map of Barcelona’s harbor. This feature demonstrates the system’s ability to handle complex gestures and provide intuitive user interactions.

Interactive Scape’s business model focuses on providing the hardware and recognition technology, while partnering with other companies for application development and integration. This collaborative approach allows them to offer comprehensive solutions tailored to specific client needs across various industries.

Based in Berlin, Germany, Interactive Scape has established a global partner network to distribute and support their products worldwide. This network enables them to deliver localized solutions and services, ensuring that clients receive the best possible support and expertise in implementing interactive technologies.

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At ISE 2025, 7thSense is showcasing its latest advancements in media playback, pixel processing, and show control technologies. Their exhibit features the R-Series and P-Series media servers, Juggler pixel processors, and Medialon show control systems, designed to deliver high-resolution, uncompressed media playback for large-scale installations. These solutions are ideal for themed entertainment attractions, museums, and other venues requiring precise pixel management. https://7thsense.one

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A major highlight is 7thSense’s involvement with the Sphere in Las Vegas, where their technology powers the interior screen’s enormous 16,000 x 16,000 resolution. Every pixel is processed through the Juggler pixel processor, ensuring accurate delivery to the LED displays. This project demonstrates the company’s ability to handle ultra-large visual environments, integrating their media servers with ST 2110 to allow content input from production trucks and other external sources.

At their ISE booth, 7thSense is demonstrating real-time reactive projection mapping on moving objects. Utilizing motion capture cameras and infrared markers, their media servers track and project onto these objects at an impressive 240 frames per second. This setup pushes the boundaries of interactive storytelling, enabling projection mapping to dynamically adapt to moving surfaces in ways that were previously only possible with static objects like buildings.

The P-Series 6 media server is another focal point, delivering 60 frames per second, 10-bit media playback on high-resolution displays. Supporting up to four ultra-high-resolution video outputs, it ensures flawless synchronization through genlock and framelock, making it ideal for demanding applications in museums, live events, and immersive attractions. The compact 2U form factor allows for powerful performance in a space-efficient design.

7thSense’s technology ecosystem includes the R-Series 10 and P-Series 6 media servers, the Juggler pixel processor, and Medialon show control systems. Medialon Manager software, running on Showmaster hardware, enables precise control of audiovisual equipment, lighting, and IT systems, ensuring cohesive and interactive show experiences with seamless timing and automation.

To enhance their offerings, 7thSense collaborates with industry leaders. At ISE 2025, they are partnering with Sony, Scalable Display Technologies, SiliconCore, and Target3D to integrate their technologies into a unified experience. Their products are also showcased at partner stands, including Absen, Peerless-AV, and Sony, highlighting their versatility and wide adoption in the industry.

Their solutions are widely used by systems integrators for themed entertainment, museum applications, and live shows. From large-scale projection mapping to nighttime spectaculars, their technology provides reliable, high-quality media playback and control systems that bring immersive environments to life.

Recognizing their contributions to the industry, 7thSense’s P-Series 6 media server received the ISE 2025 Best of Show Award in the Sound & Video Contractor category. This award underscores the company’s role in advancing media server technology, reinforcing its reputation for delivering cutting-edge solutions in high-end visual experiences.

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At ISE 2025 in Barcelona, CreateLED showcased their latest advancements in LED display technology, emphasizing their 163-inch home cinema solution. This display utilizes high-end micronet technology, integrated with proprietary control and color processing systems, delivering a 4K resolution with a pixel pitch of 0.9 mm. The result is a high-quality image with clear texture representation, high contrast ratio, and vivid colors that exceed the DCI-P3 color gamut. This innovation allows users to enjoy exceptional entertainment experiences in bright, open spaces, moving beyond the limitations of traditional darkened rooms. https://www.createled.com

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In collaboration with Goldmund, a Swiss pioneer in high-end audio systems, CreateLED’s booth featured Goldmund’s flagship speakers, known for their advanced active speaker technology and exquisite design. This partnership highlights the synergy between superior visual and audio experiences, aiming to redefine home entertainment standards. With Goldmund’s ultra-premium sound systems, which can cost up to a million dollars per set, the booth provided an immersive demonstration of what the future of high-end home cinema could look like.

CreateLED also introduced their latest technology for broadcasting and virtual production, the RGBY LED display. By adding a fourth color to the traditional RGB setup, this display achieves a color space exceeding 150% of the DCI-P3 standard, making it suitable for applications requiring precise color representation, such as film shooting. Optimized for use in Hollywood-style productions, this display ensures accurate and consistent color reproduction, making it an excellent choice for filmmakers and content creators who demand the highest visual quality.

Additionally, CreateLED presented their Outdoor C solution, designed for versatile applications in both indoor and outdoor settings. With a brightness of approximately 3,000 nits and a pixel pitch as low as 1.5 mm, this display is suitable for various installation types, including fixed and rental setups. It provides an ultra-clear image, even in brightly lit environments, making it an excellent choice for large-scale digital signage and outdoor advertising.

For conference and educational applications, CreateLED showcased an all-in-one display featuring interactive touch functions. This modular display is designed for easy assembly and offers enhanced engagement through its interactive capabilities. Whether used for corporate presentations, classroom settings, or collaborative environments, the touch-enabled screen enhances user interaction and productivity.

With over 20 years of experience since its founding in 2004, CreateLED, headquartered in Shenzhen, has established itself as a leader in the LED display industry. Their products are compatible with various control systems, including Novastar, Brompton, and Megapixel, and they also offer their own proprietary control system, ChromaLED. This flexibility allows their displays to be integrated seamlessly into a wide range of professional and consumer applications.

At ISE 2025, CreateLED’s innovations, particularly in home cinema and broadcasting displays, demonstrate their commitment to advancing LED technology and providing high-quality visual solutions for diverse applications. Their ability to push the boundaries of display technology while maintaining top-tier performance ensures their continued relevance in the high-end AV industry.

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At ISE 2025 in Barcelona, ROE Visual presented an array of advanced LED display technologies, highlighting their commitment to innovation in the audiovisual sector. A notable feature was the AR Artmor display, an architectural product from their sister company, SEO, which integrates customizable front covers with an LED backdrop. This design allows for various textures and surfaces, enabling hidden imagery to emerge dynamically.

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The booth’s layout showcased a seamless integration of products, starting with the Artmor display transitioning into the Jet series. Attendees walked through a tunnel illuminated by the ROE Strip, with the new BM2i interactive LED floor enhancing the experience. This setup demonstrated the versatility and cohesive design of ROE Visual’s product lineup.

Central to the exhibit was the Topaz 2.6 Curve, a product tailored for live events and touring. Its natural curvature eliminates visible facets, offering a smooth visual experience. The panel supports adjustable angles from -5 to +15 degrees, providing flexibility in design. Additionally, the Vanish Solid Touring series was displayed, designed for outdoor applications like festivals and arena tours, emphasizing durability and performance.

For fixed installations, the Coral 1.2 LED panel was introduced, utilizing Chip on Board (COB) technology. In COB, LEDs are built directly into the PCB substrate, enhancing power efficiency, heat dissipation, and brightness. This design is particularly suited for corporate and broadcast environments, offering high contrast and color accuracy.

The Topaz series also featured the Cube panel, enabling the creation of seamless corners due to its chamfered PCB and chassis design. This modularity allows for combining flat, curved, and cube panels, ensuring a cohesive and adaptable display system.

A highlight was the Denali 0.7 MIP (Micro LED In Package) display, achieving a 4K resolution with a 0.7 mm pixel pitch. Each diode measures less than 100 microns, pushing the boundaries of LED technology. This advancement suggests potential future applications in home theater systems as the technology becomes more accessible.

The booth also showcased the Sierra 1.2 mm pixel pitch display, aimed at corporate and broadcast settings. This product offers full HD resolution and shares brightness capabilities with the Denali series, ensuring vibrant and clear visuals.

ROE Visual’s global presence includes headquarters in Shenzhen, China, with offices across North America, Europe, Australia, Japan, and the Middle East. Recognized as a leader in the rental market for live events and broadcast sectors, the company is now venturing into architectural applications with innovative products like the Artmor display. This expansion opens new possibilities for architects and interior designers to incorporate dynamic LED elements into their projects.

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TCL CSOT introduces their 4K projector that operates using a single 5.5-inch LCD panel, a shift from the traditional three-panel approach. This design simplifies the projection process while maintaining sharpness and brightness. The projector achieves a native 4K resolution, ensuring detailed visuals without relying on pixel-shifting techniques. By integrating the projection system into one compact LCD, TCL has also reduced production costs, positioning this technology as a more affordable alternative to existing 4K projectors.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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The 5.5-inch LCD panel used in the projector has a density of 800 pixels per inch (PPI), ensuring that image quality remains clear even when projected at large sizes. The contrast ratio is rated at 12,000:1, which contributes to well-defined blacks and improved depth in visuals. Additionally, the transmission rate of 6.2% represents an improvement over previous LCD projection systems, allowing for greater light efficiency and reducing energy consumption.

With its compact design, this projector could enable the development of smaller and more portable projection systems without sacrificing image clarity. The manufacturer suggests that future iterations may be even more compact as heat dissipation and structural optimizations advance. While the current model is in a demonstration phase, the company expects production to begin within six months, making it available for consumers in the near future.

The projector’s color coverage reaches around 70% of the color gamut, which is sufficient for most viewing applications. Brightness is measured at approximately 400 nits, which should be adequate for a variety of environments, depending on ambient lighting conditions. The maximum screen size depends on the lens and projection distance, but the device is capable of displaying images up to 120 inches, offering flexibility for different use cases.

TCL’s single-panel approach differentiates it from competitors like Epson, which continues to use three LCD panels for projection. The company claims this approach simplifies manufacturing while maintaining quality. Compared to DLP projectors, which rely on Texas Instruments’ chip technology, this LCD-based solution does not require a color wheel, potentially reducing motion artifacts and color separation issues.

The company has also indicated plans to introduce an 8K LCD projector by the end of the year. This would represent a step forward in high-resolution projection, though it remains to be seen how the price and performance will compare to other emerging display technologies. Given that increasing resolution places higher demands on brightness and processing, advancements in light transmission efficiency will play a key role in the feasibility of an 8K version.

Looking ahead, TCL is working to further increase the transmission rate beyond 6.2%, with a goal of reaching 8% or higher. Improving this metric would enhance brightness and allow for smaller, more power-efficient designs. These optimizations could make LCD projectors more competitive with alternatives like laser and micro-LED systems, which are currently dominant in high-brightness applications.

By leveraging its expertise in LCD technology, TCL is aiming to provide a cost-effective alternative to other projection systems. The combination of a single-panel 4K design, increased light transmission, and compact form factor positions this technology as a potential option for home theater, business, and digital signage applications. More details about TCL’s projection lineup can be found at https://www.tcl.com/us/en/products/projectors

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At ISE 2025, Bang & Olufsen shows their range of high-end audio and visual products, reinforcing their reputation for premium sound quality and innovative design. The centerpiece of the exhibit was the BeoLab 90, a powerhouse speaker boasting 8,800 watts per unit, 18 drivers, and an adaptive Beam Width Control system. This allows users to switch between narrow mode for precise listening in the sweet spot and wide mode for a more expansive soundstage. Designed for ultimate performance, the BeoLab 90 uses advanced room calibration to optimize acoustics based on its surroundings.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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Another standout was the BeoVision Harmony, a mechanically engineered OLED television that elegantly folds its wooden or fabric panels when not in use, hiding the screen and doubling as a speaker system. The Harmony features a built-in AV receiver with integrated sound capabilities, providing a seamless home theater experience. This system embodies Bang & Olufsen’s approach to blending aesthetic appeal with cutting-edge technology.

The BeoSound Shape system was also on display, showcasing modular, wall-mounted speakers that allow for complete customization. Users can arrange the hexagonal speaker tiles in various configurations and choose from a variety of finishes, including interchangeable covers. With the ability to expand the system from a basic six-tile setup to multiple amplifiers and speakers, BeoSound Shape adapts to both residential and commercial spaces while maintaining high-fidelity streaming capabilities.

For audiophiles seeking versatility, Bang & Olufsen introduced the BeoLab 8, a compact yet powerful speaker that offers four different mounting options—table stand, wall mount, ceiling bracket, and floor stand. Its modular design allows users to swap front covers and even replace aluminum parts if scratched, ensuring longevity. This speaker, featuring built-in amplification and wireless streaming, delivers exceptional audio performance whether used alone or in a stereo setup.

Stepping up in scale, the BeoLab 28 was showcased as a premium floor-standing speaker with motorized wooden lamellas that open when in use and close when idle. Featuring a built-in subwoofer, this speaker integrates seamlessly into multi-room setups with its full streaming capabilities and intuitive controls, including play, pause, and track selection buttons. Its design follows Bang & Olufsen’s signature blend of craftsmanship and acoustic precision.

Another highlight was the BeoVision Theatre, a high-end soundbar system designed for immersive home cinema experiences. It features full AV receiver (AVR) functionality, allowing up to 20 speakers to be connected through a mix of Power Link (wired), Wireless Power Link (WiSA), and Digital Power Link. This setup ensures perfectly synchronized and calibrated audio for a seamless surround sound experience. A motorized wall and floor stand option allows for customized TV placement, enhancing both usability and aesthetics.

Inside the demonstration area, Bang & Olufsen showcased a full surround sound configuration, featuring the BeoLab 8, BeoLab 28, BeoLab 50, and BeoLab 90. The BeoLab 50, a step below the BeoLab 90, shares similar acoustic engineering principles but with fewer drivers and a mechanical lens system to control dispersion. The system was paired with Celestial in-ceiling speakers, demonstrating how Bang & Olufsen’s room calibration technology compensates for acoustic imperfections, ensuring a balanced and immersive soundstage.

Rounding out the exhibit, Bang & Olufsen highlighted their heritage and longevity with the Beogram 4000c turntable, a refurbished and modernized version of their classic 1970s model. Customers can now send their vintage Beogram 4000, 4002, or 6000 for full restoration, reinforcing Bang & Olufsen’s commitment to sustainability and timeless design.

With the company celebrating its 100-year anniversary, the event was also an opportunity to engage with integrators and industry professionals. Bang & Olufsen continues to expand into new markets, bridging the gap between legacy and modern audio solutions. Their new digital power link system, B-Link S, now enables flexible speaker placement, including rear and side surround setups, making integration even easier. With a legacy of innovation, Bang & Olufsen remains a leader in luxury audio and home entertainment.

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At ISE 2025, Jupiter Systems showcased their latest advancements in display technology, emphasizing their Zavus Direct View LED product line. The centerpiece was a 21:9 aspect ratio, 5K resolution video wall, driven by their Catalyst processor and Canvas software. This setup highlighted the system’s capability to manage various content sources, catering to command and control applications.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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The Zavus XP series was presented in three pixel pitches: 0.7mm, 0.9mm, and 1.2mm. These configurations offer flexibility for diverse applications, allowing for customized video wall sizes. The integration of the Megapixel processor ensures high refresh rates and an extensive color gamut, resulting in reduced viewer fatigue and consistent image quality across varying brightness levels.

Jupiter’s Pana 81T touch display was also on display, running the Canvas client on its integrated OPS PC. This configuration enables interactive control of the video wall and access to local applications. Mounted on a Salamander motorized stand, the display can be adjusted in height and angle, accommodating various operational needs, from planning tables to control interfaces.

In the equipment rack, Jupiter featured their Catalyst Element and Catalyst V processors, along with the PixelNet system. The PixelNet’s modular architecture supports a wide range of input types, including SDI, HDMI, DisplayPort, web pages, and IP streams. It offers scalable solutions for driving multiple displays in various configurations.

The Pana 105D, showcased in a portrait orientation, demonstrated its suitability for digital signage applications. With an 8-foot height and 5K resolution, it provides a life-size display ideal for retail environments. The matte finish reduces glare, enhancing content visibility under different lighting conditions.

Jupiter’s third-generation Pana 105XTM was introduced, boasting triple the brightness of its predecessor, over 2,000 backlight points for improved uniformity, and a slimmer, lighter design. Available in both touch and non-touch versions, it integrates seamlessly with platforms like Microsoft Teams and Zoom, featuring anti-fingerprint and anti-glare properties for optimal user experience.

The booth also highlighted a partnership with Theory Professional, co-exhibiting high-performance loudspeakers, subwoofers, and loudspeaker controllers paired with Jupiter’s Pana 105XT. Demonstrations showcased applications ranging from two-channel audio to Dolby Atmos immersive experiences, emphasizing the synergy between visual and audio technologies.

Jupiter Systems continues to innovate in visualization solutions, offering a range of products designed to meet the evolving needs of command and control centers, corporate environments, and retail spaces. Their focus on high-resolution displays, advanced processing capabilities, and user-centric design underscores their commitment to enhancing operational efficiency and user engagement.

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At Integrated Systems Europe (ISE) 2025 in Barcelona, Absen showcased its latest LED display technologies, emphasizing immersive experiences and digital innovation. A standout feature of their booth was a collaboration with Turkish digital artist Refik Anadol, whose generative AI-driven artwork, “California Landscapes,” was displayed on a massive 8m x 12m LED screen. This high-resolution display, with a 1.2mm pixel pitch and 16 million pixels, delivered visuals exceeding traditional 4K quality, demonstrating the capabilities of Absen’s LED solutions.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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A key technological highlight was Absen’s Chip-on-Board (COB) technology, which enhances durability and visual quality. By directly bonding LED chips to the printed circuit board and covering them with a protective resin, COB ensures high contrast ratios, seamless visuals, and superior protection against external impacts. The showcased screen featured an impressive 15,000:1 contrast ratio, creating deep blacks and vibrant colors, making it an ideal solution for high-end installations.

Absen also introduced its 136-inch all-in-one 4K LED display, designed for corporate environments and conference rooms. The modular system, composed of 600mm x 337mm panels, allows for quick installation by trained professionals in approximately two hours. Factory calibration ensures optimal performance upon setup, and integration with platforms like Crestron and Yealink enables seamless connectivity, making it an efficient tool for modern business applications.

Another highlight was an interactive retail display developed in collaboration with German manufacturer Ameria. Featuring an infrared field, this system allows users to engage with digital content intuitively, eliminating the need for physical touch. Demonstrated through a virtual goalkeeping game, this technology offers versatile applications for retail, exhibitions, and interactive installations. The display’s responsiveness and real-time interaction capabilities enhance the user experience, making it an attractive solution for engaging audiences.

For control room applications, Absen partnered with Datapath to showcase an integrated solution combining Absen’s KLCOB V2 series with Datapath’s Aetria platform. This setup enables real-time monitoring and data visualization for transportation hubs, security centers, and large-scale operational command centers. The ability to zoom into critical areas with high clarity and maintain smooth content transitions makes this technology essential for mission-critical environments.

Beyond display hardware, Absen emphasized the importance of content quality. The company highlighted that the return on investment for digital screens depends significantly on how they are used, encouraging businesses to allocate substantial resources to content creation. This principle was reinforced by the immersive presentation of Refik Anadol’s AI-generated visuals, demonstrating how compelling content can maximize the impact of digital installations.

ISE 2025 also served as a platform for Absen to reaffirm its leadership in LED technology by presenting solutions for diverse verticals, including retail, corporate, entertainment, and control room applications. The combination of high-resolution displays, interactive technology, and seamless integration with ecosystem partners positions Absen as a frontrunner in digital display innovation.

With a commitment to pushing the boundaries of LED technology, Absen continues to develop solutions that blend cutting-edge display engineering with creative applications. Their focus on both hardware advancements and the quality of displayed content highlights the evolving role of digital screens as immersive and interactive tools in various industries. Learn more at https://www.absen.com

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At Integrated Systems Europe (ISE) 2025 in Barcelona, AbsenLive unveiled its latest LED display technologies, emphasizing solutions for high-end rental, virtual production, and touring applications. Central to their exhibit was the Saturn SA1.9 screen, featuring flip chip MIP 4-in-1 technology. This screen is engineered for rapid setups and delivers exceptional color performance, making it ideal for on-camera applications. Each 500×500 mm panel weighs only 5.5 kg, facilitating easy handling and installation.

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Megapixel is my ISE 2025 video coverage sponsor, check out my Megapixel/Ventana playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvg9YC437j-BJHzdBeVEpVfb
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Flanking the main display were side wings constructed from the JP Pro series, Absen’s dedicated touring solution. Each cabinet measures one square meter and weighs 28 kilograms per square meter. The design incorporates a carbon fiber structure, ensuring a clean and efficient cabling system with an integrated power box. This robust yet lightweight design is tailored for the demands of touring professionals.

AbsenLive also highlighted the SA 1.9 series, with each 500×500 mm cabinet weighing just 5.5 kg, translating to 22 kilograms per square meter. This lightweight design features a streamlined cabling system, enhancing both setup efficiency and scalability. Each cabinet boasts a resolution of 192×192 pixels, allowing configurations that can easily achieve Full HD or 4K resolutions, depending on the screen’s overall size. The SA series offers a brightness of up to 1,500 nits, 16-bit grayscale, and a 7,680 Hz refresh rate, ensuring vivid and smooth visuals.

A notable innovation is the native curved SA series, which enables the creation of a 90° corner using just three cabinets. The unique mechanism allows for easy angle adjustments within each cabinet, supporting both concave and convex configurations. This flexibility offers designers the ability to craft intricate shapes, including S-shaped displays, enhancing creative possibilities for event and stage designs.

For virtual production environments, AbsenLive introduced the PR 1.9 series. Tailored for optimal in-camera performance, this screen supports workflows up to 251 Hz and an internal refresh rate of 7,680 Hz. The cabinet design caters specifically to studio applications, featuring ergonomic handles and a robust structure to meet the demands of professional studio environments.

Addressing the need for transparency and versatility, AbsenLive presented solutions ranging from 3.9 mm to 7.8 mm pixel pitches. These displays are designed for longer viewing distances and offer high transparency, making them suitable for various applications. The cabinets are lightweight and capable of delivering brightness levels up to 4,000 nits, ensuring visibility even in challenging lighting conditions.

In the rental and staging sector, the A 1.5 Pro series was showcased, now featuring an updated IMD flip chip design. This advancement increases calibrated brightness from 1,000 to 1,800 nits while reducing power consumption and enhancing stability. The screen remains cool to the touch even after prolonged operation, underscoring its efficiency and reliability.

AbsenLive’s commitment to understanding client needs is evident in their approach to product selection. By assessing the specific goals and use cases of their clients, they recommend tailored solutions, whether for corporate events, outdoor applications, or high-performance displays. For instance, the MC series offers a cost-effective, lightweight option suitable for both indoor and outdoor use, while the Polaris series Pro V2 provides enhanced performance with black face LEDs for superior visual quality.

The company also addressed challenges such as wind resistance in outdoor setups. The JP Pro series, for example, includes wind bracing, allowing for screen heights up to 24 meters, surpassing the industry standard of 10 meters. Additionally, the introduction of IMD technology in the Polaris series enhances anti-collision capabilities, reducing the risk of dead pixels during setup and ensuring a more durable and reliable display.

Check out all my ISE 2025 videos in this playlist: https://www.youtube.com/playlist?list=PL7xXqJFxvYvhSl82o7cYiTSXCtEJ5MeOZ

At Integrated Systems Europe (ISE) 2025, Megapixel VR showcased their Ventana microLED display at the Crestron booth. This impressive installation measured 4.8 meters in width and 1.2 meters in height, utilizing ultra-thin, 300×300 mm Ventana tiles with a depth of only 18 mm. The display featured a matte finish, optimized for high ambient light environments, making it ideal for settings like trade shows with bright lighting.

The Ventana microLED tiles boast a fine 0.8mm pixel pitch, delivering exceptional image clarity and color accuracy. Each tile integrates seamlessly into the overall display, ensuring a uniform and immersive visual experience. The matte finish reduces glare, enhancing visibility in brightly lit spaces, while the glossy variant is suited for controlled lighting environments such as screening rooms.

Driving the Ventana display is Megapixel’s Helios processing system, equipped with the PX1 card in every tile. This advanced processing technology, recognized with both Oscar and Emmy awards, originates from virtual production studios and is now applied to LED display walls in various sectors, including hospitality, residential, and retail applications.

The installation process involves a rigid subframe, often constructed from aluminum or steel, to which tiles are attached using magnetic pucks. A magnetic power and data system creates a mesh network, allowing for easy removal and replacement of individual tiles. Comprehensive calibration techniques ensure a seamless and vibrant display, with uniformity across all tiles.

The Helios processor, housed in a single rack unit, connects to the tile array via fiber optics, supporting high frame rates essential for applications like virtual production studios. The system’s capability to handle hundreds of frames per second ensures smooth and dynamic content delivery.

At the Crestron booth, the Ventana display was integrated with Crestron’s new DM NAX system, an AV-over-IP solution within the Crestron ecosystem. This integration highlights the display’s compatibility with advanced AV distribution systems, expanding its applicability in modern installations.

With a brightness of 1,000 nits, the Ventana display delivers vivid visuals suitable for various applications. Its adoption in premium enterprise and conference room settings underscores its effectiveness in telepresence conferencing, information display, and brand design use.

Megapixel VR’s Ventana microLED display represents a significant advancement in display technology, combining ultra-thin design with high performance. Its versatility across different environments and seamless integration capabilities make it a compelling choice for those seeking cutting-edge visual solutions.

ISE 2025 showcases some of the most advanced display technologies, and one standout is the Ventana microLED video wall, featured at the Crestron booth. Brian from Megapixel, a technical support specialist, discusses how this high-performance display provides exceptional image quality while also being an ideal solution for large-scale installations. The challenge many content creators face when filming these displays is the appearance of the Moiré effect, which results from an interference pattern between the camera sensor and the LED panel structure.

Moiré occurs when the camera’s pixel grid clashes with the LED array, creating distracting artifacts in the recorded video. Brian suggests a simple but effective technique to mitigate this: using manual focus slightly in front of the display. This soft focus prevents the camera from sharply resolving the individual LED pixels, thereby reducing the unwanted pattern. Autofocus, commonly used by smartphones and consumer cameras, often exacerbates the issue by locking onto the fine pixel structure of the display.

For those filming with smartphones at trade shows, Brian recommends increasing the recording frame rate. A higher frame rate, such as 120Hz or 240Hz, can help reduce artifacts when capturing microLED panels in motion. Another quick trick he shares is focusing on an object like a hand before slightly stepping back, which forces the camera to maintain a more optimal focal plane that minimizes Moiré.

The Ventana microLED wall supports extremely high refresh rates, ensuring that motion remains fluid regardless of the input frame rate. This means that even if the source content is 60Hz, the panel refreshes at a much higher rate, reducing flickering and ensuring smoother motion. While this doesn’t directly eliminate Moiré in recorded footage, it helps maintain image stability, making it easier to capture clear visuals.

Camera manufacturers are already addressing this problem with AI-based solutions. Many high-end professional cameras now feature automatic Moiré detection and correction. These systems adjust focus dynamically when a pattern is detected, preventing interference without requiring manual adjustments. While such technology is currently more common in high-end video production setups, it is gradually becoming more accessible.

Beyond trade shows, the Ventana microLED technology is finding applications in a variety of environments, from corporate lobbies to luxury residential installations. Its modular design allows for infinite scalability, supporting configurations from small artistic installations to massive digital canvases spanning dozens of meters. The flexibility of its frame system makes it a favorite for unique display shapes and custom installations.

One particularly interesting use case for the Ventana display is in fine art reproduction. The U-Matte version of the video wall has a specialized surface treatment that reduces reflections and enhances contrast, making digital artwork appear more like traditional paintings. This has led to its adoption in high-end residential settings and museum exhibitions where digital canvases are used to showcase rotating collections.

ISE remains a key event for showcasing cutting-edge AV technology, and the discussions around microLED filming techniques highlight how both hardware and content creation methods are evolving. As cameras become smarter and displays more advanced, the challenge of capturing LED walls without artifacts will continue to be addressed through a combination of best practices and emerging AI-driven solutions.

At ISE 2025, Hive unveiled its latest innovations, showcasing the Beeblade Nexus, an advanced media playback solution designed for high-performance 8K60 output in a compact SDM format. This breakthrough system introduces an industry-first daughter board with optical fiber Ethernet interfaces supporting 10, 25, and 100 Gigabit connectivity. This enables ultra-high bandwidth uncompressed streams via SMPTE 2110 and NDI, ensuring seamless integration into professional AV environments. Alongside Nexus, https://www.hive.run demonstrated its scalable enclosures, including the Nucleus, a two-slot rack-mounted system, and the Beehive, a 16-slot chassis capable of driving up to 16 synchronized 8K60 outputs with HDMI 2.1. This modular approach maximizes flexibility for installations in immersive experiences, exhibitions, and live production environments.

The Beeblade Nexus stands out for its cutting-edge synchronization technology. Hive’s proprietary Beesync system ensures precise frame synchronization across multiple Nexus units, achieving +/- 5-microsecond accuracy. This level of precision is crucial for large-scale video walls and complex projection-mapping installations. The system’s 8K60 HDMI 2.1 output quadruples the pixel density of its predecessors, pushing visual clarity and fluidity to new levels. Thanks to its SDM-L compatibility, the Nexus can be seamlessly embedded into compatible display devices, reducing the need for external media servers and simplifying complex AV setups.

Hive also introduced version 1.2 of its software, adding significant new functionalities for advanced video processing. The updated platform now includes 10-bit HDR support, advanced warp and blend capabilities for curved and multi-projector setups, and Vioso camera-based calibration workflows for automated projection alignment. A new scheduling tool simplifies media playback management, making the system even more adaptable for dynamic installations in retail, museums, and live events. These software advancements complement the hardware capabilities, ensuring users can achieve high-quality visuals with minimal setup complexity.

Hive talks collaboration with Panasonic on the “Global Teleport” project, a large-scale interactive installation allows attendees to scan a QR code, upload a photo, and see it instantly upscaled to 16K and displayed on Panasonic’s massive curved LED screen. Hive’s Beeblade technology handled the real-time image processing, blending, and warping, demonstrating its potential for high-impact, interactive digital signage and experiential marketing applications.

Hive showcased its new data automation tool, Dataflow which enables users to build custom logic for real-time interactivity, responding dynamically to triggers such as timecodes, button presses, or external sensor inputs. With a visual programming interface reminiscent of node-based logic systems, Dataflow simplifies automation for AV professionals, allowing for seamless content synchronization and audience-driven interactions. This development makes Hive’s ecosystem even more adaptable for live events, theme parks, and interactive museum exhibits.

The Beeblade Nexus’s support for SMPTE 2110, slated for release in Q2 2025, marks a significant shift for broadcast and live production workflows. By enabling uncompressed video, audio, and metadata transport over IP, this capability offers professionals greater flexibility and scalability for next-generation media distribution. The system’s ability to integrate seamlessly with Unreal Engine and Notch further extends its applications in virtual production, live concerts, and interactive experiences, positioning Hive at the forefront of real-time media technologies.

Hive’s hardware design prioritizes efficiency, with a compact form factor that minimizes heat generation while maximizing performance. The Beehive chassis includes a master cooling system with temperature-controlled airflow, preventing overheating even under extreme workloads. Each blade in the system is monitored via an OLED display, providing real-time diagnostics for codec performance, temperature status, and output configurations. This attention to operational stability ensures that Hive’s solutions remain reliable across demanding use cases, from high-end projection mapping to digital art installations.

Founded by industry veterans Dave Green and Mark Calvert, Hive has a deep-rooted history in media server innovation. Their expertise has driven the development of cost-effective, high-performance playback solutions, eliminating the need for oversized, expensive media servers. With the Beeblade Nexus and its supporting technologies, Hive is redefining what’s possible in scalable, modular AV systems, delivering unprecedented performance in an ultra-compact footprint. From immersive museums to high-profile trade shows, Hive’s latest offerings provide a future-proof solution for professionals demanding cutting-edge video playback capabilities.

At ISE 2025, AMD’s Rob Green provides an in-depth overview of the company’s latest advancements in adaptive computing technologies, emphasizing their applications in professional broadcast and consumer markets. A focal point is the collaboration with Megapixel on the Helios LED wall processor, powered by AMD’s Kintex UltraScale FPGA. This processor supports 100 Gigabit Ethernet and 720p/1080p resolutions, delivering high-performance video processing and extensive Ethernet connectivity. It’s instrumental in driving Ventana’s micro-LED tiles, known for their exceptional thinness and suitability for high-end residential, commercial, and retail environments.

AMD’s partnership with Blackmagic Design introduces the IP10 codec, a compact solution enabling Ultra HD transmission over 10 Gigabit Ethernet with minimal compression. Integrated into various Blackmagic products, this codec facilitates 4K video transmission with very low latency. Notably, Blackmagic offers transparency by providing the codec’s code on their website, allowing for seamless integration into ecosystems utilizing AMD’s technology.

The company also highlights its support for the emerging IPMX standard, designed to bridge the gap between broadcast and AV industries. Utilizing AMD’s Zynq UltraScale+ SoCs and FPGAs, partners like Adeas and Nextera Video have developed IP cores compatible with IPMX, incorporating features such as the Privacy Encryption Protocol (PEP) to ensure media content security.
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In the realm of display technology, AMD showcases its pioneering implementation of DisplayPort 2.1 on FPGAs. Demonstrations include 4K resolution at 240 frames per second, achieved through a Radeon GPU as the source, highlighting the high bit rate capabilities of 20 Gbps per lane, totaling 80 Gbps across four lanes. This setup underscores AMD’s proficiency in handling advanced display standards and high-bandwidth data transmission.

The versatility of AMD’s adaptive SoCs is further demonstrated through HDMI 2.1 implementations featuring Display Stream Compression (DSC). Collaborations with partners like Alma Technologies have led to the development of IP cores capable of handling 8K output, ensuring efficient compression and decompression processes while maintaining high-quality visuals.

AMD’s commitment to AV-over-IP solutions is evident through its support for various protocols and codecs. The company collaborates with intoPIX to extend the capabilities of JPEG XS for AV-over-IP, introducing features like Temporal Differential Coding (TDC) and Main + Proxy stream support. These advancements are designed to run on AMD FPGAs, SoCs, CPUs, and GPUs, offering flexible and efficient solutions for high-quality video transmission over IP networks.
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In the audio domain, AMD’s partnership with Audinate brings Dante AV Ultra to the forefront. This FPGA-based implementation facilitates high-quality, low-latency audio and video transmission over IP networks. Products from companies like Symetrix utilize AMD technology to deliver advanced audio DSP processing, all managed through the familiar Dante Controller interface, streamlining integration for professional audio applications.

Artificial intelligence applications are also a key focus, with demonstrations of face detection and tracking running on AMD’s Zynq UltraScale+ SoCs. These edge-based AI implementations operate without the need for data center resources, offering low-latency processing suitable for applications like PTZ camera control and intelligent video analytics.

Description by Chatgpt.

At Integrated Systems Europe (ISE) 2025, MUXWAVE unveiled its latest advancements in LED holographic invisible screen technology. The company’s booth showcased a range of products, including the M Series, A Series, and P Series, each designed to enhance commercial display solutions. Notably, MUXWAVE’s holographic invisible screens offer seamless, non-segmented structures with full-screen transparency and high-definition displays. https://www.muxwave.com

A highlight of the exhibition was MUXWAVE’s transparent LED screen, distinguished by its ultra-thin profile of just 1.8 mm and lightweight design at 5 to 6 kilograms per square meter. This screen supports dimensions exceeding 7 meters in width and 4 meters in height, providing high brightness and a transparency rate between 92% and 97%. Its rollable feature facilitates easy transportation, with the screen designed to be curved and stored in a flight case. A single power supply unit drives the display from one end, eliminating the need for dual-end power inputs.

The modular design of the screen allows for customization, accommodating various sizes and configurations, including curved and wave formations. Each module measures 250 mm in width and 1.2 meters in height, with options for larger sizes. The system employs a single pixel single control technology, enabling high contrast ratios and refresh rates. Maintenance is streamlined, as individual LED lamps can be easily replaced using specialized tools.

MUXWAVE also presented its floor-standing system, featuring a 1×2 meter screen with high transparency and brightness. This system integrates power supply units, receiving cards, and controllers into a single power box located at the top, resulting in a frameless design that enhances visual appeal. The plug-and-play functionality simplifies installation and transportation, making it suitable for various applications.

The company’s LED posters, available in 55-inch and 66-inch models, were also on display. These posters feature a top-mounted control box, eliminating the need for framing structures around the screen. The embedded power supply units and controllers contribute to a sleek design, and the modular structure allows for easy maintenance by replacing individual modules as needed.

In terms of production, MUXWAVE operates a manufacturing facility covering approximately 4,000 square meters. This facility encompasses the entire production chain, from wafer chip development and LED encapsulation to SMT patching, programming, aging, and product assembly. Such vertical integration ensures quality control and innovation across their product lines.

The company’s global reach is evident, with over 10,000 square meters of installations worldwide. Their products are designed for various applications, including retail windows, glass balustrades, commercial atriums, glass curtain walls, exhibitions, showrooms, and rental staging. The high transparency and brightness of MUXWAVE’s screens make them suitable for both indoor and outdoor environments, offering versatile solutions for diverse display needs.

At ISE 2025, MUXWAVE’s collaboration with Ventuz Technology was highlighted through the South Access LED Wall at Fira de Barcelona. This installation showcased the capabilities of MUXWAVE’s LED technology, powered by Ventuz’s real-time content creation and management systems. The partnership demonstrated the seamless integration of hardware and software to deliver immersive visual experiences.

Description by Chatgpt.

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