Leica S3 is a new medium format camera and the 3rd version of the S series of cameras by Leica. The Leica S3 has an 64MP sensor, it can capture 3 fps burst rate photos in that very high megapixel medium format. The S3 can do 4K video capture using the full width of the sensor. Pricing is unknown but is expected to be premium and launch is expected in 2019.
Leica is partnering with Panasonic and Sigma to collaborate on the L Mount Full Frame Alliance. There will be Cameras that use the L Mount system and compatible with Leica, Sigma and Panasonic lenses for it. Sigma will also make compatible cameras and lenses. APSC and full frame lenses will be compatible with L Mount systems. The new alliance provides greater cooperation, greater company specialization, and more choices for consumers to bring new choices for the full frame camera market.
The Vuze+ by Humaneyes Technologies is a 360 degree camera with 8 camera lenses. It can record in 4K 3D and 2D 360 degree footage. The Vuze+ has 2 Ambarella A9 video processors, a micro-SD card slot, WiFi and USB port.
The Vuze XR offers 180 degree footage in 3D, 5.7K video footage, 18M pixel photos, and 2D 360 degree footage. The Vuze XR has Four ambarella H2 processor,2 12M pixel lenses, micro-SD card reader, Four MEMS 48Hz microphones, and a 1200mAh battery.
Mannfroto tripods are flexible tripods with detachable pieces for use in a variety of situations. Manfrotto provides a wide range of Tripods with Heads. Manfrotto tripods are perfect for a wide array of photography situations. Prices range from 220 Euros and up.
PhaseOne XF IQ4 150MP is the world’s first 151-megapixel camera. It provides a back side illuminated sensor. The full frame medium format sensors found in XF IQ4 allows capture more data providing more detail than any other camera ever made.
Dixie Dixon is a Pro Fashion Photographer, Nikon Ambassador, in this Interview she talks about using the new Nikon Z7 Full Frame Mirrorless camera during her Pro Fashion Photography shoot as part of the official Nikon Z7 launch campaign, adapting her favorite lenses including the Nikon 105mm f1.4, using the autofocus, using IBIS, using it for video. In this video I edit in some parts of her official Nikon Z7 video which shows "Behind the scenes" during her Nikon Z7 photo shoot. I also edit in some of the photos that she shot on there.
Sample video interview at the Canon Photokina 2018 booth filmed with the 24-105mm f4 on the Canon EOS R camera, since I filmed this in 4K30 it crops in by 1.8x. We also talk about the upcoming 28-70mm f2. This 24-105mm has in-lens stabilization which I thus am testing out in this video, the camera body has no IBIS though so the stabilization here is based on the lens only. EF-S lenses such as the 400euro 10-18mm for the 80D might be a good way to video-blog in 4K even with the 1.8x crop with the equivalence of an 18-32mm.
Canon releases their new Full Frame Mirrorless camera system, the Canon EOS R comes with a new R Mount, with new lenses but it can also adapt all previous Canon lenses using their adapter. They have a very fast and precise Dual Pixel AF for very accurate video autofocus performance. It only has a single SD card slot, 4K video has an 1.8x crop. It does have IBIS neither but the lens based stabilization such as in the 24-70mm f4 kit lens is quite good. The positioning is about in the middle between a 6Dmark2 and a 5Dmark4. The new Dual Pixel CMOS AF sensor provides high autofocus performance and low light ability. The new mount also provides very high bandwidth allowing for new features in the lens for better performance. Canon emphasises that the EOS R system is designed to be future proof, this camera is the start for this new mount, possibly this could mean they might soon also provide more video centric camera without the 1.8x crop in 4K shooting, I'd hope with video features like in the new XF705 Pro Camcorder such as 110/160mbitps H265 HEVC for 4K60 HDR HLG 10bit 4:2:2 recording internal to dual SD card slots too.
First Pro level camera with H265 HEVC compression format, saving higher quality to a 110 or 160mbit/s to dual SD cards, 1" sensor recording HLG and PQ, it can record HDR (internal) and SDR (external) streams at the same time. Follow-up on the very popular XF305, it has 12G SDI connector, HDMI, 16Mbit/s IP streaming (even with 4K60 HDR). Dual XLR one at the front and one at the back. Slightly smaller and lighter than the XF305. The display can be swung onto one side or onto the other. It has Dual Pixel CMOS Autofocus which can also be used in manual focus mode with focus assist to help confirm proper focus in manual focus mode. Price is going to be around €7000 plus tax. Avid and other video editing apps will provide H265 HEVC support on launch. It also supports Canon Log3 for post production color grading. There is also H264 XF-AVC in 8bit 4:2:0.
Successor to the very popular Crane 2, made for the cinema market it supports a payload up to 4.5kg, with a wireless HDMI transmittion system to a viewfinder display or transmit video and controls back over Wi-Fi to a phone. The two grip modes allow for sling mode and better handling and is easier to carry and move around. With dual motors included it can control zoom and focus controls, and buttons for controls such as P locked fixed mode and and PF turning follow mode.