Panasonic finally has released the DVX200 ($4200 on Amazon) which records “real 4K” 4:2:0 8bit 60fps, it can record 4:2:2 10bit with an Atomos external recorder. Built-in 13x zoom lens with wide-angle 28mm, it can record 4K 4096×2160 at 24p, UHD 4K 3840×2160 (60p/30p/24p) and 1080p at (120fps and 24p). The 4K UHD 60p/50p recording is at 150mbit/s and 30p/25p/24p is at 100mbit/s, it can record both UHD 30p and FHD onto two separate SD cards, approximately 160 minutes of 4K/24p or UHD/25p/30p data can be recorded onto a 128GB SD card, or about 110 minutes of UHD/60p data.

JVC GY-LS300 ($3500 at Amazon without the lens) features a JVCKENWOOD AltaSens 4K CMOS Super 35 high sensitivity image sensor combined with an industry standard Micro Four Thirds (MFT) lens mount. The single chip CMOS sensor has approximately 13.5 megapixels and achieves a standard sensitivity of ISO 400 with a total of 12 stops of exposure latitude. Super 35 Cinema lenses may be used and will retain their native angle of view. When the camera is used with MFT, Super 16 and other size lenses, JVC’s proprietary Variable Scan Mapping feature will maintain the lens’s native angle of view. This gives filmmakers the flexibility of using widely available MFT lenses as well as high end cinema lenses. It is also possible to attach the camera to microscopes and other devices using a MFT/C-mount adaptor. The unique combination of the MFT mount, the larger S35 image sensor and Variable Scan Mapping give the camera nearly limitless lens options.