Lightlink (Shenzhen Lightlink Display) walks through what matters most in rental LED: cabinets that go up fast, stay rigid, and keep image behavior predictable when you’re building a wall every day. The focus is on saving crew time and reducing handling load, with lightweight mechanical design and transport-friendly packaging aimed at touring and festival logistics. https://www.szlightlink.com/
For virtual production and XR stages, the demo highlights an indoor 2.6 mm class panel positioned for cinema-style shooting, where tight pixel pitch, high refresh rate, and stable scan performance reduce moiré, flicker, and camera-sync artifacts. In practice that means LED brightness and calibration (color uniformity, grayscale, gamma) are treated as part of the “camera pipeline,” not just a spec sheet detail.
They also show a 3.9 mm LED dance floor concept that can be used as a conventional wall or converted into a floor via protective surface/masking, so the same rental inventory can cover stage decking and vertical surfaces. For rental houses, that kind of modular reuse is about hitting weight limits indoors, simplifying spare parts, and keeping maintenance access realistic during a show day.
The large-format highlight is the 1 m × 1 m touring-style system described as a “king product,” built around trolley transport and rapid line-up for big festival grids. The “Black Panther” variant emphasizes wind-brace structure so airflow can pass through the rig, plus climbable/maintenance-friendly rear geometry for tall builds; the point is predictable safety margins when the wall gets huge. This segment is filmed at ISE 2026 in Barcelona, which makes sense given how much of the conversation is about deployment speed and show-floor practicality.
On the signal side, the workflow is framed around a NovaStar-style controller stack and software for distributing anything from 4K to 8K canvases across processors and receiving cards, matching what most rental teams already tour with. The company claims broad partner coverage across the US, Europe, and Korea, and the interview keeps returning to the same engineering tradeoff: reduce kilograms per cabinet, reduce minutes per square meter, and keep the wall consistent under pressure.
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HDMI® Technology is the foundation for the worldwide ecosystem of HDMI-connected devices; integrated with displays, set-top boxes, laptops, audio video receivers and other product types. Because of this global usage, manufacturers, resellers, integrators and consumers must be assured that their HDMI® products work seamlessly together and deliver the best possible performance by sourcing products from licensed HDMI Adopters or authorized resellers. For HDMI Cables, consumers can look for the official HDMI® Cable Certification Labels on packaging. Innovation continues with the latest HDMI 2.2 Specification that supports higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology to provide optimal audio and video for a wide range of device applications. Higher resolutions and refresh rates are supported, including up to 12K@120 and 16K@60. Additionally, more high-quality options are supported, including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
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I’m publishing about 75+ videos from ISE 2026, check out all my ISE 2026 videos in my playlist here: https://www.youtube.com/playlist?list=PL7xXqJFxvYvjUiepj5jbL6aIt6QB9jeCk
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Check out my video with Daylight Computer about their revolutionary Sunlight Readable Transflective LCD Display for Healthy Learning: https://www.youtube.com/watch?v=U98RuxkFDYY
